First, to the news: I’m pleased to announce that Girl Runner is going to Greece! The book has been picked up for translation by Thines Editions. This brings the foreign sales of Girl Runner to eleven languages, plus the US and the UK & Australia. I know. Astonishing, huh.
Every once in awhile it comes to me: thousands of people have read Girl Runner. Thousands of people have taken into their minds this story shaped by my mind. That is a staggering thought, and comes close to fulfilling what I’d hoped to achieve, in thinking back on my early years of hoping to become a writer. It was to be read. Those people who’ve read Girl Runner aren’t thinking about me, Carrie Snyder, they’re thinking about her, Aganetha Smart.
I think that gives me a certain amount of flexibility too, in terms of the choices I intend to make in my career, the projects I intend to pursue, their variety. I see myself as someone who can shape-shift to some degree, with a malleable voice, rather than someone who has a very distinctive style and voice and subject. I can use that in positive ways rather than seeing it as a weakness, but it’s a talent more readily used by someone who doesn’t have a big personal public profile. These stories come from me, but they aren’t me. Or more precisely, I am not them. I am just the mediator, in a sense, or perhaps the medium, the interpreter between worlds.
Ultimately, I’d like to be read because I send out into the world interesting, creative, curious, insightful, moving, maybe even life-giving stories.
It’s a lot to ask. Because it means I want my writing to be excellent. It puts the weight on the writing, and is my writing good enough? Is my thinking deep enough? I don’t honestly know.
For the purposes of achieving this goal, I’m challenging myself to direct attention and energy onto the books that I write, and to otherwise be at peace with my authentic, ordinary self when asked to appear in public. It’s my problem, not anyone else’s, is what I’m getting around to—I’m the one who has been dissatisfied, in the past, with my public performance or persona, always thinking that I should be more charismatic, more out there, more … well, more not myself. Recently, I’ve been trying to let go. And I’ve found myself surprisingly content with being adequate, average, competent at the jobs that are not within my main area of expertise. I’m not splendid or charismatic on stage, but what I can do is make people feel comfortable in the slightly awkward formal environment. My sense is that that’s something I’m able to offer, and that’s good enough. Forget trying to shine or, much worse, to outshine. It’s not who I am. I’m more of a cozy fire in the fireplace, a friendly candle on the table, a light in the window to show you the way home, here to make you feel comfortable in your environment.
So. Let go. Let go of chasing fame in any way, shape, or form. And keep writing for the writing in any way, shape, or form.
My meditation guide invites me to enjoy sitting in silence for twenty minutes, taking these quiet moments for myself, to which I must reply: GAH! Yesterday, I meditated on the train home from a day-trip to Toronto, while just behind me a woman agreed compulsively with everything her friend said, even while her friend was in the midst of saying it: “yesyesyesyesyesyesyesyes!” Today, I meditated in my office with the constant beep-beep and deep motorized rumble of trucks as Hydro employees work on the wires in front of our house, which has been a constant for at least a week. The dogs chimed in during the last five minutes of the meditation to howl at … well, whatever dogs howl at, and I think ours are particularly thick in their choices. Are you making good choices, dogs? Are you?
Am I making good choices?
Well, I keep meditating, despite the lack of silence, inner or outer. I think that’s a good choice. I’ve returned to a regular running schedule, despite some twinges in the hamstring. I think that could prove not to be a good choice, but I feel better about running than not running, and I’m making some gains in endurance and cardio again, so, hey, there’s probably a fifty-fifty chance that it’s not a bad choice.
Kevin chose to invest in some new soccer nets for our backyard. Really good choice. Fabulous choice! The kids have been outside non-stop, either on the trampoline or playing soccer in this happy spring weather we’ve been having. We may never be able to grow grass in that strip between nets, but I’m still thinking it’s a good choice.
I was also thinking, while looking out the train window yesterday, and watching the just-rained-upon farmland zoom past, that here in Canada we have such a low threshold for excitement about what constitutes spring. A bit of sun, a touch of warmth beneath a brisk breeze, and we’re all outside grinning and hi-fiving each other. Sure, the grass is brown, the ground is wet, the flowers have scarcely peeked through the mud, and all the trash left behind by melting snow banks is suddenly visible. Sure, it’s windy and rainy and when the sun goes behind a cloud it’s kind of chilly, in fact—but there’s light after supper, and the birds are noisy, and the kids are outside being noisy too, and we’re leaping and kicking our heels together for spring, spring, spring.
PS I successfully checked off from my list all of the work-related responsibilities for the past eight days. Book club; followed by ceremony for the winners of the KPL contest; followed by a reading in Ridgeway, Ontario (where the organizer, who also owns a lovely bookshop in Ridgeway, near Niagara Falls, let me come to her store after the reading to pick out books for each of my kids! isn’t that generous!?); followed by a meeting in Toronto yesterday; followed by an interview today. And now I’ve completed the public work for a little while and can dig back into the private, quiet, sitting-and-writing-all-day work. Oh, and the laundry. Light lifting. That’s the phrase that comes to mind. I don’t know why, but I’m glad. Maybe because it’s spring? All of this, despite the busyness and the effort, and the noise, has felt like light lifting. On we go.
Twenty minutes can feel like no time at all, when I’ve fallen down the rabbit-hole of the internet, reading truly fascinating but perhaps not necessarily useful stories on … well, see, there’s the problem. I must have read at least five truly fascinating but not necessarily useful stories in the past twenty-four hours, following links from Twitter and Facebook—to genuine news stories or long-form articles, not top-ten lists—but I can’t recall the contents of a single one. Poof. The minutes vanish.
But twenty minutes can feel like a very long time when I’m sitting in silence listening to the sound of my thoughts skittering, seemingly randomly. Oh, there’s my mind trying to make a plan for later on today, and a list of things I can’t forget to remember to do. There’s my mind slipping sideways into what seems to be a dream. Bring it back, follow the breath. Breathe, breathe, meditate. Oh, there’s my mind dashing off to wonder how much longer. And under it all, there’s my body, trying to hold fast, remain still and calm but strong. What this exercise seems to be, at its core, is a daily weather report: here’s what you’re feeling today. Here’s how your body and mind is coping with challenge. Bring an umbrella.
Today’s weather report of my body and mind: very tired, wandering, a bit directionless, with a chilly breeze of underlying anxiety about upcoming events.
I’ve been struggling to write, here. Not elsewhere, but specifically here, in Blogland. I was at a book club on Monday evening, a friendly thoughtful group, and they asked interesting questions, including one I found difficult to answer: How do you manage the attention? My gut instinct? To reply: uh, what attention? The truth is that I’ve been managing attention by pretending there’s a solid wall between my public life and my private life, and that the two don’t intersect. It’s a mental trick I sustain when blogging, too. I pretend no one’s reading. It’s like I’m writing this in a special private journal that oddly ends every time with me pushing “Publish.” It’s a trick that doesn’t work terribly well, I’m beginning to understand, not just in Blogland where readers respond to posts (which I love), but also in the real world. (I can hear you thinking: you’re just grasping this now?). For example, on Monday afternoon, my 9-year-old had a new friend over, and when the dad came to pick her up, and I was making small-talk in the front hall, he said, “I saw you in the newspaper.” Private Carrie fought with Public Carrie, confused. He’d seen me in the newspaper? Had I been charged with some crime? Oh, right, I’m a writer. I actually had to say it out loud, as if explaining it to myself, “Oh, yes, I’m a writer.” “I know,” he said. Oh, right.
So the separation is illusory at best, and delusional at worst.
Further, the whole pretence breaks down completely when I admit, both to myself and to you and to the lovely women at Monday night’s book club and likely to that dad in the front hall, that I want people to read what I’m writing. Of course I do! The sustainability of a writer’s career depends on readers. If I were operating a retail business, it would be counterproductive, not to mention just plain ridiculous, to open a shop only to pretend the shop doesn’t exist. A customer walks in. Carrie pretends she’s in her living-room, in yoga pants, looking after sick kid. Customer is confused, feels like an intruder, apologizes for wishing to purchase something from shop Carrie continues to pretend does not exist. (Why doesn’t anyone come to my shop, Carrie wonders? Maybe I’m not very good at making _____. Maybe I should quit trying and become a midwife.)
In other words, ambivalence isn’t actually ambivalent. It’s pretty damning. Like my dad would say, shit or get off the pot. (I really like that saying, actually; I use it a lot, when giving myself advice.)
But here’s the thing. What I’m selling in my shop is not me—it’s my writing. And that does feel genuinely separate. I’m in my living-room, in my yoga pants, with my sick kid, holding out a book. Holding out a blog post. This is the thing, I’m trying to say, Forget about me. So it’s confusing. I write in hopes that people will read what I write, not to attract attention to myself. I read Nick Hornby and Bill Bryson and Miriam Toews and Ruth Ozeki and Karl Ove Knausgaard and Kim Thuy because I really like their writing. I wouldn’t need to know anything about them to like their writing. I may feel I know them, because they are all somewhat autobiographical writers, but knowing them is not my motivation for reading their work: I read because I love what they do with story, with language, with structure and form, and because I’m moved and entertained by their writing.
I guess my overarching question is: Is seeking attention critical to finding readers? Is it a job requirement? What if I focus instead on being the best writer I can possibly be and stop sweating everything else? What if I simply support a project at every stage of development, including talking about it after it’s been published–and let go my attachment to the attention, personally. Then the transition between public and private might be much less jarring, much less important.
During today’s meditation, I had a sudden vision of seeking balance between interior and exterior. Between maintaining a quiet private interior focus, which is what I need in order to write, and an accepting reflective public exterior focus, which is what I need in order to be in the world as a writer. How can I be as authentic and free in my public life as I am in my private life? I breathe in, and I breathe out. Breath itself is a balance between interior and exterior.
So, how do I manage the attention? Maybe I’ll figure it out someday, twenty minutes at a time.
PS I’ll be at the Kitchener Public Library this evening, presenting the prose awards for the Dorothy Shoemaker prize, which I adjudicated this year. And I’ll be in Fort Erie on Friday evening as part of the Ridgeway Reads reading series.
Oh, the word WRITE. How I love it, on a day like today, after a week like this week, when my mind is rich with ideas and enthusiasm, and the joy that comes from working. Work that sometimes, truly, feels like play.
I think we fall into our themes. We can’t always understand them, or know why they’ve become the themes to which we’ve devoted our creative lives, but they’re there. If I am to identify the themes that have occupied me in projects past, and that are highly likely to continue to occupy me during the years to come—many productive writing years, oh Lord, please, grant me—they include the following: midwifery; abortion; pregnancy and birth; mothering; siblings; running; competition; feminism; activism; rule-breaking or unconventional behaviour; gambling and debt; small-time criminality and the huckster or the shyster; peace and justice; adoption; parentage; memory; forgiveness; gifts or gift-giving; music; fame/performance; horses; spirituality; love; friendship.
I’m absolutely bubbling over with joy at having all of these pieces of life to explore. And more, and more. (Where does The Candy Conspiracy fit into the thematic framework? Hedonism? Entertainment? Fun purely for the sake of fun? Yes, sometimes all I want to do is goof off and have fun–can that be a theme too?)
I’m listening to my eldest daughter play the piano. She’s practicing her songs for the Kiwanis festival later this month. The music is beautiful, though right now she’s going over and over a few rough patches. She’s got a batch of hot-cross buns rising on the counter and she was singing the song this morning, in her pyjamas. The other kids are off with Kevin at his office, helping him reorganize and rearrange, though it’s just as likely that they’re playing video games rather than lugging stuff around.
On Wednesday, we found ourselves with a free evening. Nobody had anything to do or anywhere to go. This is so rare on a weeknight that we all felt celebratory. After supper, the adults drank a beer and the kids each had a pop and we sat around the table talking and drawing. Everyone took a turn suggesting a subject to draw, and we had two minutes to try to draw whatever it was.
Above are our people, drawn on the chalkboard, which is where we started.
It’s Good Friday. I’m going to make paska this afternoon, a Russian Mennonite Easter bread, although I’m not Russian Mennonite. Eggs, spring, colour, sweet bread, new life.
This morning I woke at 5:54AM, realized my alarm hadn’t gone off, leapt out of bed, and somehow got into running gear with shoes on and teeth brushed before my running friend arrived at the door at 6AM. Good grief! It’s been that kind of week, with little margin for error in the schedule. But I suppose it’s also been that kind of week, with things turning out just fine even if the wheels aren’t turning completely smoothly. (And how about that–I need a mere 6 minutes to prep in the morning? I could be sleeping in!)
I’ve been working on my manners while driving. Driving = swearing, in my world. There’s something about being stuck in a vehicle, possibly but not necessarily late, behind other vehicles that are behaving in erratic nonsensical fashion that brings out a rage I rarely experience otherwise. My kids are very helpful, calling out my muttered curses. “Mom, you said the “H” word,” CJ told me yesterday as we sat at a green light behind a car whose driver did not seem to understand the meaning of green lights. Everyone was too politely Canadian to honk, of course. “I’m sorry,” I apologized to CJ. “I’m really trying to work on not saying bad words while driving.”
“I know what you should do,” he piped up, while munching a cookie. “You should meditate in the car.” This cracked everyone up when I reported it later on, no doubt everyone imagining Carrie sitting with eyes closed ignoring the traffic and breathing deeply; but actually, I did take a few deep breaths–eyes open–and it helped. It’s all about weighing what matters, and whether you really want to work yourself into a snit over [fill in the blank]. Usually, the answer is, big picture, I’d rather have a chat with my cookie-eating kid than be gripping the wheel, shoulders tensed, cursing the eccentricities of those who share the road. If only I could recognize that before I start swearing, not during. Connecting the dots between meditation and real life is the real challenge.
Speaking of challenges, yesterday definitely qualifies. Piano lessons, picking up kids from different schools at different times, writing on laptop in car between pickups. Home to eat take-out pizza fetched by Kevin, then up to the little kids’ school for their arts night, visiting with friends and neighbours, ducking out early, dropping little kids at home in care of their older sister who was distracted by her imminently due science fair project (the dining-room table covered in chopsticks, copper wire, batteries, and bouncy balls), and at last, getting changed and zipping over to Conrad Grebel College to read as the final guest in their Mennonite Writers Series. After all that running, what a surprising pleasure it was to come to a stop in the Grebel Chapel. I could not have felt more welcomed. The evening was a total pleasure, and something about the format felt as natural as if I were reading to my kids at bedtime (dressed in nicer clothes, wearing makeup, with a microphone pinned to my shirt). As I sat there at the end of the presentation looking out at this warm and generous audience, I thought, wow, this is a damn lucky life. Embrace it, receive it, savour it.
And then go home to tea and bed in such a happy state of mind that you forget to set the alarm, apparently.
Anyway … I’m reading again tonight at WLU, at Lucinda House, 6:30PM. Then I’ve got a little break in the readings, with more to come in April. I will keep you posted. And I’ll let you know how the car meditation is going …
Yesterday, my youngest stayed home from school. I didn’t want to alter my routine too drastically and he is old enough now to be accommodating and to entertain himself quite easily. I said I was going to meditate for twenty minutes, and he was okay with it, especially when I told him to bring his little mini-super-hero figures into my office so he could play while I meditated. I told him he could make noise, but please not to ask me for anything for those twenty minutes (genuine emergencies excepted; but the beauty of having an office is that the kids already know that rule about interrupting me).
He played for the first ten minutes or so. Then I heard him leave. I heard him come back. And it got very quiet. I knew he was in the room with me, but I didn’t know what he was doing.
When I opened my eyes at the end of the exercise, that’s what I saw: see photo above. He was meditating. He had chosen to sit cross-legged with his hands in a prayer position. This is not how I sit when I meditate. He wasn’t copying me; it was the position he chose on his own. When I asked him about why he’d chosen to sit that way, he couldn’t explain it. He had a few questions about the voice in the computer (I use a guided meditation app). Who was that man, and is he real, and can other people hear him too?
I have a couple of observations about meditating. I love it. Or maybe I only have one observation. That’s it. Clearly this is something my mind takes to; reminds me of running, a bit, how when I found the running, it seemed to answer some question in me that I hadn’t known was there, silently being asked.
I love following the tracks of my thoughts into a corner of the mind where I am suddenly falling backward into deep snow and staring at an enormous open sky, in awe.
Even today, meditating alone (with dog snoring at my feet), with my mind in a state of apparent dissatisfaction–even today, I loved the exercise. Why?
My mind flitted today, ran everywhere, often to places I did not want to be.
I kept returning to breath and that helped, but didn’t cure what ailed my mind, its anxiety that I was doing everything wrong.
But you know what? Even while I worried, I knew on a deeper level: This is not an exercise interested in right or wrong. Do it, and it counts. You will learn something, every time. Not necessarily something big and astonishing. But something interesting–it’s waiting to be found, every single time. Today’s exercise was a good reminder to the frustrated, dissatisfied self: you won’t always think you’re doing a good job at the tasks you’re doing; maybe you’re even right about that. But the real work isn’t confined to a single instance, it’s in the accumulation of many instances. It’s in repetition of effort, and returning again and again to the discipline you’ve chosen to get to know more deeply. You can’t know in advance where it’s taking you. You don’t know exactly what you’re making. But that’s the beauty and the mystery.