Category: Word of the Year
I’ve been re-reading old blog posts. The photos are fun, but it’s the changes that are most remarkable to see in fast-forward (or fast-rewind).
Consider the post from Monday, May 18, 2009, titled “On Endings,” which seems rather appropriate for this last day of 2012. In this post, I’m writing about trying to finish a story, one that would become, in one way another, part of The Juliet Stories. I am amazed by my own resolve under circumstances that look, from this vantage point, very difficult indeed. My youngest was not-quite-fourteen-months. My eldest was not-quite-eight. I was home with the littlest children full-time, and I was finding it trying. Kevin was recovering from a broken knee. Friends had been bringing us meals (bless you, friends!). We’d had “the barfing thing” four times in four months. I was sleeping sporadically, still nursing at night. I must have been utterly exhausted. No time for exercise, no time even to imagine exercise — who could get up early after being woken half the night?
And yet, I was writing.
There was no guarantee that what I was writing would become anything anyone would ever want to read, let alone publish, let alone nominate for a major prize. I was writing because I had to write this particular story, in this particular way. I was doing what I had to do, and if there is a lesson in here, it is simply do what you have to do. Don’t look for reasons not to do the things you have to do. Come alive. Do! I think that even if that story I was writing had not turned into The Juliet Stories, it would have been worth writing, because it brought me hope, because it gave me space and allowed me to dream.
In the blog post “On Endings” from May, 2009, I reflected on a documentary I’d just seen on the photographer Sally Mann, an artist who was suffering from doubt and set-back — and yet her art seemed without question worthy and beautiful. How could she doubt?
Here’s what I wrote in response:
“There’s no telling whether these years of work will this time add up to something of beauty and merit, but I felt a kinship watching her [Sally Mann] struggle, mourn, reflect, create. It’s a blessing and curse to want to translate experience into art — not just to want to, but to do it. The work involved. Working toward an end you can’t see until you find it. Will it be whole, or still-born? All the infinitessimal choices along the way that shape the final artifact, that leave you wondering — why this and not that? So much room for criticism, self and other. There’s the artifact created, and the one intended, and the multiple ones that might have been.”
Weirdly, I see that her art show was titled “What Remains.” I say weirdly because that very nearly became the last line in the epilogue to my book, but we decided to cut it. I’m still not sure about that cut. It’s the only one I question and wonder about. This is the ending that almost was: “Tell me, for I need to know. What remains?”
I have a million other things I’d like to blog about, here, as we stand on the threshold of a new year. These are all on my mind: Chief Theresa Spence’s ongoing hunger strike; the need to protect and cherish the land we live on, the air we breathe, the water we drink; the nihilism of a sub-group of young men, worldwide, who commit acts of terror, from the random-seeming shootings in the United States, to suicide bombers elsewhere, to the violent rape that is moving protestors in India to rise up against a casually misogynist culture. There is more, I know. I wonder, will this be a year in which protest brings about hope and healing? What is my (small) part in creating a more hopeful world? We all long for peaceful communities, whole relationships, happy families. We are imperfect.
We work toward ends we cannot see.
This is a perfect writing day.
Rainy, grey, dark, gloomy. No pull to go outside or run errands in the sunshine (not that the pull is very strong for me anyway, when I’m on a writing roll). I woke from my post-spin-class cat-nap to the sound of heavy rain on the roof. That sound makes me feel content, dreamy, and ever so slightly guilty for sending my children off to school without umbrellas or rain jackets. I’m their weather girl. And apparently I’m good at maintaining the long-standing weather-person tradition of totally wrong forecasts. I should get a green screen and a pointer, and do my hair and makeup.
Attention: Minor profound thought of the day coming right up.
Writing fiction is not a responsive job. In a responsive job, you show up with your talents and skills, and respond to the needs presented to you. Your schedule, also, responds to other people’s needs. I imagine this could be very satisfying: here is a need being treated by my specific skills. I sometimes fantasize about having the skills to do work like that.
I don’t, really. (Although I could, perhaps, find a job as a copy editor or a creative writing teacher, given my current skill set.)
Writing fiction is quite different. I’m going to call it an originating job. In an originating job, you set your talents and skills to projects of your own devising, and hope to heck that others will connect with what you’re doing, and see value in it. The work (and the schedule) is self-directed. If I want anything exciting to happen, I must make it happen. I must see what could be, believe in it, and bring it about. I must pursue my goal against inevitable headwinds of creative dissonances and deeply uncomfortable emotions: doubt and uncertainty caused by a lack of exterior motivation. No one needs a book. (If I break my arm, I need a doctor; but a book of fiction answers no such direct need.) Being a fiction writer can feel excruciatingly meaningless. Completely unnecessary. It’s quite easy to go from wondering, can I do this, to why am I doing this?
That is why Wild Optimism is a huge part of my every day existence. The belief that I have something to say. The desire to express it. The sheer chugging energy that fires me toward an end. That is also why sometimes I am tired and weary, and I fantasize about people calling me up and begging to pay me pots of money to write books for them! That is why I fantasize, too, about doing other work, where I could walk into a room and respond to a need, immediately. I long for a different skill set, sometimes, or an enhanced and deeper skill set.
But I love the freedom and seemingly endless possibilities that come from doing an originating job.
Attention: No conclusions shall be drawn today.
I’m meeting Kevin for lunch tomorrow, to brainstorm and discuss our future plans, big and small. I’m sure we’ll have all the answers by tomorrow afternoon. Well … at least we’ll have a lunch date together.
hospitality suite at IFOA
You’re going to suspect that I do nothing but jet around to festivals and parties. Heck, let’s pretend it’s true. Let’s pretend I’m not sitting at home in a slubby hoodie neglecting the sick kid on the sofa who is playing video games. At the very least, I’ll provide no photos of my current state.
I’ll admit it. I ache. I think it’s a combination of playing soccer on Sunday followed by all the driving and standing and sitting required by parties and readings. I have it down now: I’ve got comfy but good-looking shoes for the standing parts and the parties, and I save the heels for the readings themselves.
I’m doing a bad job of telling this story.
Yesterday, Kevin and I drove off to Toronto, mid-afternoon, leaving my mom to look after the sick kid and everyone else (dogs too! good grief!). I checked in at IFOA (Toronto’s International Festival of Authors), and the organizers let me use a hotel room to change in (for some reason, I didn’t get a hotel room out of this event, perhaps because Toronto considers Waterloo to be a suburb or a cousin once removed? In any case, no hotel room for GG finalist Carrie Snyder). Kevin and I also ate sandwiches and eggplant dip in the hospitality suite: supper.
here’s what I decided to wear
Then we went to the IFOA party. I can’t remember the title, but it was crowded with industry folk, and it was hot. I was happy to talk to the people I knew, but equally happy to stand on the sidelines and just observe. Best moment of the evening: when we were approached by a very excited woman who came right up to Kevin and said, “Junot Diaz?!” Needless to say, my husband is not acclaimed American writer Junot Diaz (who wasn’t at the party in any case), but when we checked the author photos in the IFOA guide, we thought, hey, maybe he should put on a name tag. And grow a goatee. Because otherwise, people, I’m basically married to Junot Diaz.
The woman was embarrassed when she realized that I was the writer, and that she’d never heard of me. People keep joking that I may need to change the title of this blog, but I’m not too concerned. I reassured her, and she said she’d buy my book. (But I’m thinking she’ll probably buy Junot’s instead.)
Should I do more name-dropping? It seems almost obligatory. Here’s who we talked to at the party: Sarah MacLachlan (my publisher); various Anansi people; a lovely woman from the Canada Council who had read my book thoroughly enough to know exactly which story I was going to read when I told her the title (I was impressed!); Iain Reid (One Bird’s Choice); Linda Spalding (fellow GG finalist) and her husband Michael Ondaatje; Ania Szado (a writer with whom I toured back in the Hair Hat days); Eva Stachniak (The Winter Palace; she is Ania’s friend); Mark Medley, books editor of the National Post, who commissioned my best writing assignment ever, which just ran on Saturday: a review of Alice Munro’s new book, although it is more ode than review; the woman who thought Kevin was Junot; and a few others, though possibly by accident. We were there for an hour and a half, so clearly we didn’t excel at the mingling.
Then Kevin spotted Vincent Lam (The Headmaster’s Wager; fellow GG finalist). Vincent was leaving the party, so we thought we’d better follow him, because I didn’t really know where I was going for the actual event. Vincent and his wife were both super-friendly, and possibly super-human (he’s an emergency dr and she’s a family doc and they have three kids under 7). We had a nice chat. After awhile, we were joined by an IFOA publicist, and Linda Spalding, and set off for the theatre, quite clearly going the wrong way. There we all were, tramping around in the dark surrounded by a very high fence. “I’m sure IFOA will provide us with a ladder,” said Linda Spalding. Thankfully, no ladders proved necessary. Eventually, we went the right way, and were soon backstage at the theatre. Our group now included Robert Hough (Dr. Brinkley’s Tower) and Tamas Dobozy (Siege 13) and the poet Phil Hall (Killdeer).
I tweeted a terrible photo. Vincent Lam tweeted a better one. Guess which is which.
We met Shelagh Rogers. She gave me a scarf because it was freezing backstage, and you’ve seen what I was wearing. I read second to last, which gave me ample time to freak out. I handled my nerves by going into an almost comotose stillness during the first several readers. Conserving my energy, I thought, if I thought anything at all. It was kind of peculiar, actually, and prevented me from doing any useful networking backstage. But when it was nearly my turn, the stillness broke and I got very jittery, which was quite unpleasant. I don’t usually get so jittery. I had to go for a little walk in my noisy high heels. But then I thought, just harness the energy and be glad you’ve got it: better lots of energy than none. I also thought, perhaps rather melodramatically, You’re doing this for Juliet, so just go out and do it.
that’s me onstage
So I went out and did it. I settled down instantly, under the lights. I read “She Will Leave A Mark” from the first section. I think the story carries more poignance and depth after you’ve read the second section, but it’s a good story even on its own. I love reading. The only emotion I felt at the very end of the story was, well, a kind of bittersweet sadness. Because the moment was over.
I enjoyed being asked by the stage manager if I’d like something to drink at the booksigning table (white wine, please!). And I enjoyed signing books. Kevin brought our stack and had all the GG finalists sign them, but there was a mix-up with Vincent Lam’s. Kevin is going to need to find a second wife named “Sandra” in order for the dedication to make any sense. More proof that my blog title is in no danger of becoming obsolete. But then Michael Ondaatje shook my hand and told me he’d loved my reading. Hm. So maybe fifty-fifty.
The evening was starting to get really fun, probably because my publisher Sarah and her husband Noah Richler were on the scene, so we were talked into going back to the hospitality suite, which we hadn’t planned on doing, being responsible parents from Waterloo, Ontario. Just being around Sarah and Noah has the effect of regressing me to my pre-child self — almost; but let’s not call it regression. Let’s call it staying in touch with my spontaneous glam girl side. I’m shocked to report that side still exists.
But I’m not shocked to report that spontaneous and glamourous doesn’t go exceptionally well with early mornings and sick kids and walking wet dogs in the rain.
No regrets. This is an strange and happy little bubble of a moment. I’m going to float while it’s floating. (But thanks to kids and dogs I’m quite sure that I won’t float away.)
For about 48 hours after the GG announcement, I found it very amusing to narrate my life by captioning all activities with “GG finalist, Carrie Snyder …”, as in “GG finalist, Carrie Snyder, is going to finish these supper dishes before anyone gets a bedtime snack,” or, “GG finalist, Carrie Snyder, would like a cup of tea and a back rub.” I’m not sure anyone else found it quite so amusing.
But it amused me this morning too, as GG finalist, Carrie Snyder, stood on a stool in the downstairs bathroom attempting to remove spiderwebs with a wad of toilet paper, and a giant nest fell down her sweater sleeve. (“I told you that bathroom is infested, Mom!” “Yeah, there’s definitely a weird looking nest above the sink.” “That’s an orb spider.” “A what?!” “Don’t worry, it’s not poisonous.”) It continued to amuse me as GG finalist, Carrie Snyder, trudged upstairs to clean the bathroom floor. (“Someone peed on the floor!” “There’s pee in the upstairs bathroom!” “Somebody missed the toilet!”) And the fun kept on rolling as GG finalist, Carrie Snyder, sorted a dark load of laundry while repeatedly shouting up the steps, “I’m in the basement, come down if you want me to zip you up!” Apparently, GG finalist, Carrie Snyder, had misheard the request. “He said that he wants you to pick him up from nursery school.” “Oh.” Sorry kid, but GG finalist, Carrie Snyder, is leading a writing workshop for high school students this afternoon, and can’t. GG finalist, Carrie Snyder, also has a vague toothache in the very same spot where the dentist put in a filling last winter (remember that?), which seems like ominous timing given she’s flying to Vancouver in two days. GG finalist, Carrie Snyder, is also panicking slightly about what to pack for her trip (how many shoes can she fit into a carry-on bag?). GG finalist, Carrie Snyder, got up in the middle of the night to turn off her alarm and did not go to yoga this morning. Despite getting extra sleep, GG finalist, Carrie Snyder, did not look fabulous in the mirror this morning; she really should have gone to yoga.
GG finalist, Carrie Snyder, is putting the hammer down. Stop this now, GG finalist, Carrie Snyder.
This feels like a miscellany day. I’ve been having some random and more serious thoughts on a related subject.
It’s the subject of being paid for one’s writing. The Globe and Mail (a newspaper in Canada) is going to attempt a “paywall,” by asking subscribers to pay for content; apparently, readers are not pleased. The New York Times does this as well, and the truth is, ever since it did, I’ve stopped reading NYTimes articles online. And I’m a writer! I get that writers and editors need to be paid for the work they do, and I respect the work that they do; so why not pay for quality online content? I think the answer is three-fold: one, I’m lazy and it seems like too much work to set up an account and try to remember passwords, etc.; two, I still get most of my news from the daily paper and from CBC radio; and three, there’s a ton of free content online.
Let’s address that final issue. I write a blog. I provide free content, practically every day! I understand why professional writers dislike bloggers — professional writers would like to make a living doing what they do, thanks very much. Most bloggers, like me, do this in our spare time. I have no desire to monetize my blog, nor to figure out how to make money off of it, mainly because I do it for fun. It would change everything to try to blog for a living.
That said, here I am, trying to write for a living. It’s dismal to report, but freelance rates, per word, have actually gone down since I first started freelancing, over a decade ago. I’m not sure freelance writing (for magazines and newspapers) was ever an excellent money-making occupation, but in today’s climate it’s an excellent way to sponge off your spouse. So, is being a writer a sustainable occupation?
GG finalist, Carrie Snyder, has yet to figure out how to make it so.
And it isn’t for lack of trying. I’m beginning to wonder whether being a writer, a serious writer of fiction with hopeful freelancing on the side, is in actual fact a hobby, or an act of volunteerism, or of love, or of obsession, rather than being what one could legitimately call an occupation. A job.
This isn’t meant to be a pity-me rant. I don’t feel pitiable, not at all; I’ve been doing exactly what I want to do; and I do make (some) money at it. Nevertheless, I feel prepared to look at coolly at my options and draw some fairly harsh conclusions. Our four kids need more than I can offer them as a writer; and I don’t believe the burden should be carried unequally by Kevin. The question is: what, then? Well, I’ve got some ideas, to be revealed in good time. For the immediate present, I’m sticking with the status quo, doing the freelance jobs that come in, working on a new book, applying for grants, hustling, and jumping up and down for The Juliet Stories. And blogging.
I love writing. I never started writing fiction thinking that it would earn me a living; and that wasn’t why I started blogging either. With my writing, every step along the way has felt like a gift: the first time I had a poem accepted for publication; the first time an editor at a magazine wrote back to tell me she liked my story (even though she was turning it down); the first time I earned a grant for an unfinished manuscript; the first time an editor called to tell me that she loved my book and wanted to publish it; and on and on. In between all of these steps were innumerable impersonal rejection letters, fat self-addressed envelopes stuffed with rejected stories, and, once I’d acquired an agent (another exciting step), calls of reassurance that also brought news of “no, thanks.” None of this could have been undertaken if it weren’t answering an extreme personal call — a deep probably irrational desire — to keep writing, keep learning, keep practicing the craft. None of this would have been undertaken if I hadn’t loved doing it.
Certainly, none of it was undertaken with an idea of dollar signs dancing in my head, a pot of gold at the end of the rainbow. I’m a highly impractical person, and I encourage my kids to dream impractically too. To pursue doing what they love, no matter what it pays in monetary terms.
But the thing is, we also have to figure out how to pay the bills. That’s where I’m at right now. I’m doing what I love, and I’ll keep doing it forever; but I’m going to have to do something else, too. My word of the year, this year, was actually two words: work and play. An interesting, difficult, troublesome choice, I think, and prescient.
So I’ve had my writer hat on for the past two days. Luckily it’s invisible because I don’t look good in hats, having been blessed with a teeny-tiny head. Maybe I should say I’ve had my writer hair on for the past two days.
In any case, on Sunday, I read at Eden Mills; and we brought the kids along. There was much complaining about being forced to spend the day doing something other than lounging in pajamas in front of a screen. I’m obviously parenting badly. I assured them that Writers Festivals were Fun, but they weren’t buying what I was selling. We proceeded to spend approximately 85% of the car ride being tormented by one child who kept repeating, “I’m bored! I’m bored! I’m boooooored!” I wish I were exaggerating. This monotonous soundtrack was occasionally interrupted by a) the same child hollering, “And no one’s even listening to me!”; b) other children screeching at said child; c) parents trying not to lose it. Fun times.
Luckily, the day was sunny, the townlet of Eden Mills was most welcoming (we were directed to our parking spot by no fewer than seven boy scouts/cadets), and we caught a ride up the main street on a golf cart, which the kids thought was pretty nifty.
Three of four children had never been to one of my readings. This seemed like the perfect setting to introduce them to this part of my job. But for the most part, the younger two didn’t really get that I was working. Eventually, I gave up and removed myself from their company for a few minutes of peace before the reading began — the new soundtrack at that point had become, “Why can’t I just have some ice cream!”(Yes, there was ice cream — see, told you, kids. Writers Festivals are Fun.)
I was reading with Dani Couture and Tanis Rideout, and we strolled together to the site — someone’s beautiful backyard overlooking a little river — which was set up almost like a Greek amphitheatre (minus the stones, and on a smaller scale), with stage down below and audience on the hill above. Upon arrival, I observed that my children and husband were arranged handsomely upon our picnic blanket. But perhaps they were a little too close to where the writers were seated. I could hear that the soundtrack was still going on, although sotto voce. “I want ice cream!”
I was reading last.
And so I sat and watched the slow motion hour-long crumbling of my handsome family. They were pretty well-behaved, all things considered. But I was cursing our parental lack of foresight — really, we should have gotten them the damn ice cream. After all, it was lunchtime, and then it was past lunchtime.
By the time it was my turn to get up and read, Kevin had retreated far away up the hill with CJ, who was quite far gone in ice-cream-starvation-mode. But my other three children stayed to listen.
Afterward, Albus whispered, “That was really good, Mom!” And Fooey wondered whether Ronald Reagan was a real person. And they all said that Writers Festivals really weren’t so bad after all.
So it was worth it.
And then we got ice cream. And hot dogs. And soda pop. “This is full of vitamin C,” one of my brilliant offspring proclaimed. We checked the label. And I regret to report that Orange Crush offers not a jot of vitamin C. It is, in fact, 0% vitamin C.
We were a much jollier bunch driving home, all except for Kevin. The solo-parenting-while-Mom-was-in-work-mode had taken a toll on his ordinarily equable personality. And I, too, had to confess my exhaustion at the end of the day, saying, “I don’t really understand why, because I felt pretty calm all day.” Kevin said, “It takes a lot of energy to look that calm.”
And that’s the truth.
This is turning into a long long tale, and I haven’t even reached day two of Carrie aka Writer. But I shall go on (whether you go on with me, I leave to your discretion.)
Yesterday, I led writing workshops at a camp near Eden Mills. It felt like a real “working mother” day, which is still a bit novel to me. I left the house before the kids had woken. Kevin kept me posted by texts. Four of us — me, Evan Munday, Tanis Rideout, and Angie Abdou — led small groups of high school students in hour-long writing sessions on different subjects. (I did the short story.) The kids were willing to write and share their work, and I found the sessions very pleasant. I also appreciated being amongst other writers, since I spend most of my working hours alone in this office, wearing crocs at one end, earplugs at the other. When we first met, Angie said, “Oh, you wrote that blog on not being on the Giller list!” which kind of made me cringe (this could be what I’m remembered for?), although she was very nice about it. Sometimes, in order to keep blogging, I forget (or ignore) the fact that blogs get read, and that the CanLit scene is pretty small.
Because here’s the thing. I do feel, when I make appearances in my writer hat/hair, like I’m dressing up to play a part. I know I’m not a writer with a capital W. It’s not that I don’t take my work seriously, because I do. But as much as I hope for worldly success, I appreciate the obscurity of my existence.
By the time I trudged, over-loaded and over-caffeinated, through the front door late yesterday afternoon, all of my children had miraculously gotten themselves home from school (this had been arranged with great forethought, but nevertheless seemed miraculous), and they were playing wii. Frankly, only the dogs were excited to greet me. I whipped up supper, hung laundry, supervised piano practice, checked email, we ate together as a family. And then I took the kids to the library and the grocery store — because it turned out that despite their lacklustre after-school greeting they had been missing me, enough to want to run errands in order to spend time together.
We had so much fun grocery shopping, I can’t even describe it. Everyone was feeling silly.
It was the best part of my day.
So here’s the sappy conclusion at the end of this long long post: Nothing makes me feel more accomplished as a human being than being happy with my kids who are happy being with me. Nothing.
(Although I suspect we appreciated each other all the more because we’d worked hard on our own, and we’d missed each other; do other working parents stumble into these puddles of mundane bliss, too?)
Last Wednesday evening, our backyard was transformed into a mini-studio: the lights you see above, plus one of those big umbrella-looking things (also a light), and a heavy-duty insanely expensive camera that, honestly, I couldn’t even covet after I heard how much it cost. That’ll never be mine. It would have been fun to take a self-portrait of the portrait being taken, but in all honesty, I was a little embarrassed by my rinky-dink setup. Besides, I was supposed to be posing, looking contemplative and intelligent in my black sweater, not running around trying to take photos.
I’d been invited to be a subject for Jonathan Bielaski, a local photographer who works for Maple Leaf Entertainment, among other clients — yes, he photographs sports stars. But he started a side project this past year called “For the Love of It,” where he takes portraits of people who love what they do.
I hope you’ll browse around his blog. He’s found some very interesting people. Maybe you do what you love and love what you do, too? Let me know, and I’ll let him know. He’s always interested in finding new subjects.
(Come to think of it, this project fits well with my words of the year: work/play. This summer, it’s felt like I’m getting closer to achieving a sense of both in my daily life.)
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