one of the ways she reminds me of me
One son this morning refused to wear a coat or mittens (it was -1C when he left the house). The other son, even grumpier, declared he didn’t want to go to school today. “You don’t have a choice! Now put your backpack on and get moving!” That wasn’t me speaking, it was my younger daughter, who has developed certain characteristics I find awfully familiar. I felt for them both. Neither one had a choice: she didn’t want to walk him, and he didn’t want to go. It cheered both up when I offered to walk along. Who knows what I’ll manage to get done today anyway. It’s been busy and I’m tired. Good busy, but I’m still tired.
I’m going to catch you up, which may, frankly, be exactly all I manage to get done today. This post will have a lot of photos.
Let’s begin with paella night, which was exactly as fun as I knew it would be, and maybe even more tasty. I do have the best siblings around. My brother Christian was the chef. Our version of paella packed in every meat and seafood we could think of. At one point, I realized I was eating a delectable mouthful that included chicken, pancetta, and chorizo, and probably a tiny clam, too. We drank red wine, cuddled a new baby, and quizzed each other hilariously from a Trivial Pursuit game, Canadian version, that appeared to have last been updated in 1996. I don’t think anyone napped or googled.
Yesterday, Kevin and I were off to Toronto, as soon as the kids left for school. Our new car is so comfortable. It’s so luxurious. It has seat-warmers! I kind of hate how much I love it, but I do. Kevin drove. Traffic was unexpectedly light. I took photos.
the escarpment, in passing
I met my agent, Hilary, at her office, which I’ve never actually visited, although she’s been my agent for nearly a decade. I signed some important papers.
very important papers!
me and Hilary
We posed for a photo. Hilary tried not to make me look short.
me and Hilary, take two
I told her to go ahead and stand up straight. I am short! Also, she’s very tall and was wearing heels. This photo cracks me up. When Kevin first glanced at it, he thought it was a picture of AppleApple (ie. a child standing beside an adult). This is exactly how I feel sometimes on the soccer field, I must admit.
Then Kevin dropped me off at the Anansi office, which feels very familiar to me now. Our small party headed off to a restaurant nearby for lunch.
I was very geeky and hauled out my gigantic camera and lens to take photos. Above, my US editor, Claire Wachtel of HarperCollins, my Canadian editor, Janice Zawerbny of Anansi, my Dutch publisher, Jacqueline Smit of Orlando, and my Canadian publisher, Sarah MacLachlan also of Anansi. Mostly, I just listened, ate a very good turkey sandwich and french fries, and enjoyed a glass of champagne. Mostly, I was just amazed at the places Girl Runner has taken me already, at the connections made.
More news to report, and another meal to add to the menu: the rights have sold in Sweden! To Albert Bonniers Forlag. I said to Kevin on the drive home that it doesn’t feel like I’ve done anything I can take credit for, in terms of these sales everywhere. I wrote a book. The result is weight lifted, and lightness of heart, but what I really want is to write another, and another, and another. We arrived in Waterloo in time to see our oldest walking our youngest home from the school bus. It was slightly heart-melting.
For an after-school snack, and to cheer up one small boy who did not want to go to swim lessons (but who had no choice), I cracked open the tin of “stroopwafels,” which Jacqueline had brought with her from the Netherlands, and which the kids called “waffle cookies.”
And then we went to swim lessons. And even though he had no choice, CJ loved it, and couldn’t stop talking afterwards about how he jumped into the deep end without a life jacket, and treaded water for 15 seconds, by swinging him arms like this, and pretending to ride a bicycle. I didn’t tell him that when I saw him jumping into the deep end without a life jacket, and his teacher not exactly in arm’s reach, I held my breath in genuine fear as he went under, and almost couldn’t believe it when his little goggled head popped up again and he swam to the side and pulled himself out. “I think you actually love swim lessons,” I teased him on our walk this morning, as he continued to regale us with tales from the lesson yesterday. He grinned sheepishly. And then Fooey admitted she feels the same way sometimes: really really really doesn’t want to do something, and then discovers while doing it that she loves doing it. I figure it’s my job to keep reminding them. Just like it’s my job to walk along sometimes: my job, and my fortune.
Today was a good day.
We had a birth in the family. As of 9:40 this morning (Friday), my brother and sister-in-law are parents of a gorgeous baby boy. I got the phone call at 4:15 AM, and went over to help doula for the birth, which happened at home, in a warm and calm space, almost peacefully, I would say. There are lots of beautiful and memorable things that I get to do, and this is one of the most extraordinary. Being witness to the birth of new life.
I’m getting weepy just thinking about it.
Maybe also because I’m running on slightly less sleep than usual. And because my little brother is a papa.
I’d promised not to disturb the new family this evening when stopping by to pick up the camera I’d forgotten, but there was a new baby in the house. The kids so so so wanted to meet their cousin. He wasn’t even eleven hours old yet, we calculated. They squealed in the car on the ride home over the cuteness, the tinyness, the babyness.
Today, a good day. A breathtaking day.
First day of March break.
With the sounds of sibling irritability yowling in the background as I write this — “Where’s my hat? Who took my hat? WHERE’S MY HAT?” “Don’t push me away so I can’t go to the bathroom!” [crying] “Go away! Go away! Get out of the kitchen!” “It’s not your kitchen!” “Yes it is!” “Where’s my hat?” — I’ll pick out the good things.
Like the doggie-sister love, above.
P.S. I’m adding a post-publication, end-of-day extra list of good things this first day of March break has held. It’s been a lovely, lovely day, despite the occasional howls and yowls.
* I slept in.
* I cleared away every last stack and pile of paper that has been accumulating on every flat surface for the past couple of months. I kid you not. Huge project, DONE!
* I vacuumed.
* Just when Kevin and I were wondering what we’d feed the kids for lunch, my mom arrived with offerings from the market, and so we had hot dogs on fresh buns; and then we ate market-fresh chicken drumsticks for supper, marinated in yogurt and Indian spices, along with Indian-spiced rice, and green salad. And a glass of wine.
* I ran 15.5 quick km in gorgeous afternoon sunshine, watching the snow melt, with my elder daughter beside me on her bicycle.
* I finished two books, and updated my ongoing 2013 reading list: see here.
* I felt like I was on holiday. So did everyone else. And tomorrow I get to play soccer!
So it lasted about three minutes. Still, it was sweet.
Everything is winding down, summer holidays are nearly upon us, and the truth is that I’m feeling a little bit flat. A little bit weary. I sense that I’m jealously guarding my reserves of creative energy as if in fear they might run out, which is perhaps not the best strategy; after all, creativity feeds on its own bubbling forth. And I don’t actually believe it can be spent, entirely.
But my instincts feel protective, somehow. Cautious. Inward-looking.
I spent yesterday writing. My working title is The Girl Runner; but that might not last. All I will say of what I’ve written is that it’s unexpected in tone and content, and the writing itself feels like disappearing into a daydream. From which it can be hard to emerge. It’s like getting lost. But I’m often not aware I’m lost until I realize how much I’m struggling to connect with what the kids are saying to me, or to respond with coherence to their requests.
It’s possible that their mother memories will include them prompting me to finish sentences, reminding me of what we were just talking about. It’s convenient to blame the writing; but it’s not always even that. Sometimes I’m distracted by a scheduling conflict, or by some errand I’ve just remembered needs doing, or by a voice on the radio, or a newspaper article, or a conversation or dream freshly recalled. I don’t know why it is sometimes so difficult for me to ground myself in the present moment. There are times when I must deliberately force myself to follow a spoken response through to its conclusion, force myself to pay attention to the reply, force myself to hold the thread rather than to drift.
Scattered. I wonder, and worry: How can such a scattered woman manage a functional daily life, manage to keep her children fed, manage deadlines, and plotlines?
Perhaps this explains why I wrote The Juliet Stories as a fragmented narrative: why I ask the reader to piece together clues, and take leaps. I was honoured to read an extremely sympathetic review in The Winnipeg Review posted earlier this week; the reviewer understood and was not frustrated by the leaps in the book. Read her review here.
And if you’re interested in listening to me (try to) talk about the connections between the book and my own experience, earlier this week the CBC ran my “riff” on Shelagh Rogers’ book show, The Next Chapter. Click here, and find me at 37:13 (with thanks to the friend who figured that out).
At the very end of the interview, I mention that I haven’t asked my siblings how they feel about the book, and I say something air-headed like, “I hope that’s not a bad thing! [Giggle]” *(Aside: I should probably make it policy never to listen to interviews of myself.) Anyway, my brother Christian heard the interview, so he dropped by the other evening to let me know that he really liked the book. We ended up having a funny conversation about the real events he recognized, and how they were dropped into such different contexts, all mixed up; and I was relieved to hear that he didn’t read himself as the brother Keith. In fact, I think he might be the perfect degree of closeness to recognize exactly how fictional the Friesen family is. He said his wife, on the other hand, is exactly the wrong degree of closeness, knowing just enough about our family to imagine that the book is somehow veiled history. If you know just a few things about our family’s past, I can imagine it would be easy to make the leap. But if you were there for it too, there is no leap, because it isn’t what happened, and we’re not the characters.
If I ever write a book about my family, it will be a very different book, about a very different family; and, frankly, I can’t imagine attempting it. But there’s no doubt families are enormously compelling, and if I ever storm up the nerve to try, it would make for an interesting exploration.
If asked, I will tell you that I pray none of my children become writers. Personally, I think it would be a bit of a curse to have a writer for a child. We’re dangerous. And probably maddening. *(Another aside: I read a tweet recently in which a writer noted that writers of fiction are constantly being asked “what’s real?”, while writers of non-fiction are constantly being asked “what did you make up?” Obviously, audiences have a compulsion to understand the links between fact/fiction, life/imagination, memory/invention. Etc.)
Which brings me round-aboutly to The Glass Castle, which I’ve been reading all week. In fact, I went to bed extra-early last night in order to finish it. It’s a memoir about a family of such incredible dysfunction that it staggers the mind. What amazed me most profoundly was the love expressed throughout — love of child for parent, and parent for child — despite the author’s childhood of parent-induced agony and chaos and hunger and violence. Love is so complicated. It isn’t reasonable. It guarantees nothing. It can be the source of terrible wrongs. And yet even the most disastrously-expressed love seems to answer something in us; seems to be something we need and crave, and could not survive without.
I’m not bringing this post around to any kind of coherence. Other than this: writing can be an act of love. But it is sometimes — often? — an act that feels more like dire necessity, or selfish need; it takes me away from my children, it removes me from the present moment, it deposits me in imaginary spaces. I don’t know where it comes from, or why I need to do it. I just hope it does ultimately create artifacts of coherence, and patterning, and some kind of connection and truth. Because that’s what love is, isn’t it? Love is connection, no matter how tangled.