As she comes on stage, the stadium lights up, the plastic rubbery wristbands we’ve slipped onto our wrists suddenly alive and pulsating with colour, to the beat of a song I don’t recognize. There is a collective inhale, a gasp, as we prepare for this spectacle, and recognize its announcement, its arrival.
She is here.
She is wearing sunglasses and a jacket and very high heels. From where we are sitting, high up in the highest, remotest seats of this concrete bunker, she is dollhouse-sized, but her face, her stride, is simultaneously captured and broadcast onto two wide screens that flank the stage. I don’t know the first song: Welcome to New York. But she’s just getting warmed up.
The third song is Style.
She strides down the narrow runway, but doesn’t come quite far enough. It’s like she’s teasing the audience, walking forward and back, but never to the end of the platform that stretches out into the audience below, those who must have paid astronomical fees for their tickets. I want her come to the end of the runway. I wait for her to come all the way down, where we will be able to see her clearly. I think that she is deliberately teasing us, and I am impressed that desire can be invented so easily, so strategically, by the simple act of denial. The semaphores in this show are simple and effective, the narrative clean and crisply delineated.
She takes off her sunglasses, she pulls off the jacket, as if now we will see her for who she is—a doll-like creation of red lips and pale perfect skin and arched brows. She is dressed in black, the outfit cutting across her pale skin, sectioning her up into pieces. I wonder how she can stride the stage in such a short skirt with such confidence.
But is it confidence? I think, but do not say to my daughter, that Taylor Swift is not singing. She is not even doing a particularly good job at lip synching. After having heard the first two performers, both young men, sing and play their guitars with flair and emotion and talent, this is disappointing. I admit to initial disappointment, as she whips off her sunglasses and disrobes before us, and holds the mic at an unlikely distance from her lips, her mouth moving out of synch with the words that are soaring through the air: We’ll never go out of style, we’ll never go out of style.
But I will forgive her for this lapse later in the show. Because the singing is the least of what she is attempting: What she is attempting is the creation of spectacular flashing moments, a montage that tells a story—the story of Taylor—replete with fleeting images, shimmering, an illusion of perfection, an illusion of intimacy, as gutsy as it is implausible. Later in the evening, when she is spinning around in the air at the end of the runway, which has been tilted and raised high up on a mechanical arm, later, when she is being whirled counter-clockwise before us, grounded to the platform by thin wires, playing or fake-playing chords on an electric piano, balancing in her high heels, hair swinging and swooping over her forehead, chased by high-wire cameras, projected onto enormous screens, all while singing into a microphone, I will forgive her for singing over a recorded track, singing only partially. I will admire her willingness to be on display in this feat of daring, and to display for her audience only the most idealized version of her experience of this moment.
Even when she struggles to move the microphone from her hand, where it has been strapped, into a microphone stand, she does not comment on the trouble she is having, she smiles and continues to talk to us about friendship, about how she has an easy way with friends, and can feel as close to someone she’s just met as to someone she’s known forever, if this someone (could we all imagine it is us?) is authentic and trustworthy. Finally, the microphone slides into the stand. She has not burdened us with this technical irritation. She doesn’t complain, she refuses to draw attention to it. The show churns onward, making its own pace.
The plastic wristband warms my wrist oddly, in an electrical manner that disturbs me, but I do not take it off. When we arrived, we found that wristbands were taped to the back of every seat in the stadium. When we first slid the wristbands onto our arms, it seemed almost cultish, all of us willingly submitting to the mysterious plastic band, with no concern for what it might do to us. We trusted implicitly the glossy promises of Taylor Swift, her relentless optimism projected onto the screen before the show began, along with her stories about her cats, whose names my daughter knows. “Really, you know their names?” She shrugs. Sure. As if everyone does.
When the wristbands light up and flash and fill the stadium with a pulsating glow, I willingly wave my arm in the air, as instructed, even though my skin gets hot underneath the plastic, and even though I have to wrap the plastic around my palm to keep it from sliding down under my coat sleeve. The woman next to me, who has also come with her pre-teen daughter, dances wildly in her seat, sings breathlessly, gasping and giggling, while her daughter sits rather rigidly; I catch the girl observing us when I glance in her direction. The woman stops herself sometimes, as if embarrassed, but is again overcome by emotion. She knows the words to every song.
I know the words to three songs.
My daughter knows the words to a few more, but not many. We are here because her dad and I thought it would be an exciting and surprising birthday gift; she had written in a school project last spring that this was one of her dreams, to go to a Taylor Swift concert. That’s something we could actually do! we thought, her dad and I. So. We are here for the show, for the novelty of it, and for Taylor Swift whom we both like, if only abstractly—we turn up the radio when her songs come on and sing along, but our admiration doesn’t go a great deal further. We are here together, witness to what the power of money and imagination can create on a vast stage, for the consumption of a broad audience.
“Hi, I’m Taylor,” she says as she marches down the runway, early in the evening. She sounds nervous, swallowing her words, but even this might be an act.
Because I have so recently been so exhausted after performances on a completely different scale, I wonder at her ability to pull out this magnitude of a performance, night after night. I wonder at her willingness to go on, city after city, show after show. But when she stands at evening’s end to receive the applause ricocheting off the closed stadium roof and the girls’ screaming, I think, how could this not be addictive? How could you not believe the stories being told about you? You are a blank slate for the projections of millions of people, and your words are being sung back to you in unison, and your very body, your very flesh and blood is a recipient of this adulation. You absorb the warmth from all these people, here for you, and you become in this moment as near to being one of the gods as a human can get.
When I first heard the lyrics to Style on the radio, I said to my daughter, “I don’t really like this song. It’s not my favourite.”
“I’m doing a dance to it in gym class,” my daughter said.
“She’s kidding herself if she thinks she’ll never go out of style. Style comes and goes. She’ll be old someday too.”
I might have been missing the point. My daughter might not have been listening.
“Also, it’s such a vapid style she’s describing. ‘I’ve got that good girl thing in a tight little skirt.’ Is that what she’s saying? It sounds like that’s what she’s saying.” It is approximately what she is saying. I look up the lyrics later: “I’ve got that good girl faith and a tight little skirt.”
That’s a bit different, message-wise, a bit richer.
But I don’t like songs about good girls, because it’s us against them, good girls v bad girls, and who are the bad girls? What do they do that’s so bad? And what do the good girls do that’s so good, come to think of it? Who is telling them they are good or bad? I also don’t like models for girlhood who teeter in high heels, their exceptionally skinny bodies exposed and hairless. But I do like that this young woman is an extraordinarily powerful presence on the stage, and that she talks to her audience in a way that appears personal, promoting messages of trust, vulnerability, no shame, and strong female friendship.
And I do so very much like that the next morning, after the concert, when my daughter crawls into bed with me, and I say, “What do you think Taylor Swift does when a show is over?,” my daughter says, “Well, she probably has to help take down the stage. And she probably needs to eat something. And maybe take a shower and go to bed. I think she sleeps in a trailer.”
She probably has to help take down the stage.
One of the best things about our family holiday was seeing the kids settle in and really enjoy each other’s company. I still can’t believe how easy it all felt, to travel so far and make collective decisions, with late bedtimes and no set routine to guide us.
In truth, we’re not the world’s most adventurous family, and nobody was disappointed if a day consisted of a little walking, a little swimming, and a made-up game, like the above, where we attempted to throw pebbles through this perfectly shaped hollow log. Points for multiple consecutive through-stones.
This was perhaps the most adventurous outing we attempted: we followed a map drawn by our host to a nearby logging road and hiked a trail in search on a large and ancient tree. And we found it! The kids agreed to pose while I tried to take the perfect family photo. And tried. And tried.
And gave up, eventually. Too much personality on display, and who would want it otherwise? The forest was eerily empty of any sign of animals (neither cougars, nor bears, nor even squirrels could be seen). But as we were leaving, this marvellous slug was spotted on the path. Everything’s bigger on the West Coast, it seems, even the slugs.
While I’m blogging lots this week, and because I won’t be blogging much (I suspect) in the week or two ahead, I’ll take this moment to highlight another tab, above, on my web site: Upcoming Events. It’s not new. But it’s handy. It’s where I keep track of readings, speaking engagements, festivals, launches — everything book-related.
For starters, next week I’m heading to the Sunshine Coast Festival in Sechelt, B.C. This is my first time at the festival, which I hear is amazing, and my first time on the Sunshine Coast, and my first time bringing the whole family along to an event like this (they likely won’t come to the reading itself, but the organizers have kindly invited our family to several other events and found us a family-friendly cottage by the ocean to stay in, while we’re there — see, amazing!). This is also our first major summer family holiday ever. The last time we flew somewhere together, we spent Christmas in Nicaragua — and we only had three kids. That’s a long time ago. (Note to self: must find a way to return to Nica again; I’ve visited once a decade since childhood.)
Then, in September, I’m going to Spain! I’ve been invited to the Hay Festival in Segovia, with the Spanish-language version of Girl Runner: La corredora. This trip will be a whirlwind, hosted by my Spanish publisher, Alfaguara, which is launching the book this fall. (The family is staying home; sorry, guys.)
I return home in time to visit the Halton Hills library, which has chosen Girl Runner for its One Book: One Community program (very exciting!), and then just a few weeks later, in October, I’m flying out to Victoria (solo) where I’m a guest speaker at the Victoria marathon. Sadly, there’s no way I’ll be in shape to run the marathon, but in my dreams I somehow manage to conquer the half. This hasn’t been a high-mileage summer. I’ve been averaging three runs a week, rarely more than 10km, often less. One change is that I rarely run alone anymore. Almost all of my exercise is social, right now: meeting a friend is motivating, and it’s fun. But if I’m going to add more miles, I will have to do some longer solo runs.
Kevin is recommending that I start listening to podcasts while running. He’s become a convert to the short story form by listening to The New Yorker fiction podcast while running around the neighbourhood with the dogs. I listened to one just this morning, while making poached eggs for Fooey (it’s her Birthday Eve!): a story called “Love” by Grace Paley, as read by George Saunders. If you think you don’t like short stories, try out this podcast. It combines the reading of a story with a conversation afterward between a well-known writer and the New Yorker story editor: it’s like listening in on a really informed book club discussion.
Love is poaching eggs for your almost-ten-year-old; love is kicking a soccer ball for two hours with your seven-year-old; love is watching a leader’s debate (Canadian version) with your twelve-year-old; love is driving back to camp to fetch your fourteen-year-old; love is sharing earphones and stories with your husband.
Hm. That was really cheesy. I feel compelled to apologize a) for writing it and b) for not erasing it. But hey, maybe you’ll want to make your own list? Enjoy your weekend.
Oh yeah, I’m a month late: this guy graduated from grade eight. Here’s how he looked on the big night. In June.
Last week I had a very Carrie idea, the sort that might make my children wish they had another mother, at least just a little bit. Our eldest doesn’t read much. And I’d noticed that some of my children seemed to have forgotten how to spell since leaving school last month. What to do, what to do? The idea came to me and breathlessly I spat it out! I said I would now be assigning a book report, once a week. Yes, they would have to read at least one book a week and write a report on it, which (I was spitballing here) they would then present to the family, every Sunday evening this summer.
I then dropped the mic and excused myself to go work on my Favourite Mother of All Time acceptance speech. Just in case. Because you never know.
(This comes as such a surprise! I’m in shock, look at me, I didn’t even brush my hair — and am I wearing my nightgown? Yes I am and screw it, who cares!! They love me, they really love me!)
Albus wasn’t so keen on the reading part, especially when I specified that the book must be at or near his actual reading level. As an option, I said he could read a magazine or newspaper article, and he made a lame attempt, flipping through a Chatelaine magazine (he was drawn by the picture of an indescribably scrumptious-looking burger on the front, amusingly, the same picture that had inspired me to buy the magazine in the first place). But nothing spoke to him (really? nothing in a women’s lifestyle magazine speaks to you, young man??), and I wouldn’t let him present on a burger recipe. So he requested a special pardon—could he instead write a story rather than read a book and write a report?
COULD HE WRITE A STORY??!
Ding, ding, ding, the judge says Yes.
Sunday evening. We gather round (most of us in pyjamas, me in my nightgown, as it happens). One by one the kids read out their book reports and stories. CJ reports that he likes a certain picture book called The Candy Conspiracy (his original report read, in total, “I like this book,” but he was pushed to go a bit further) because of the tips, and the Juicy Jelly Worm, and the kids. He did write this all down, so the judges give him a high five.
Fooey doesn’t want her report read out loud. It’s on Harry Potter and the Philospher’s Stone, a book that she couldn’t put down, it was like being swept up in a river, she writes, an inventive metaphor that pleases her mother very much. Printed by hand, three pages long, very tidy writing, and hardly a spelling mistake to be found.
AppleApple reads her report off of her Google Drive account: a thoughtful three-page reflection on Jane Eyre, with particular interest in its religious content and pre-feminist qualities. So yes. She did her homework.
Albus reads an entertaining story he’s composed on the computer about a character who lives in the dishwasher, and who is haunted by a tale told to him by an oldster in the midst—a wooden spoon who has visited the back yard and is certain he’s seen a fox chasing a bear. (The comical part is that from the spoon’s description it’s clear the fox and the bear are nothing more than squirrels.) Well structured, excellent comic stylings, and winning characters; I suspect he put more effort into this than he did into the bulk of his school projects all year, but I am nevertheless beaming with pride.
Kevin reports on The Prime of Miss Jean Brodie, which was recommended to him by me—he reads out a passage about education, in which Miss Jean Brodie says that she believes education is meant to draw out from the student what is already in her, while the principal of the school believes education is meant to insert information into the student. Draw out or thrust in?
Discuss. (We discussed.)
I finish with the sad story of Wave, a memoir by a woman who lost her husband, two young sons, and her parents in the tsunami of 2004. The book is about her life after this loss, although it opens with an intensely riveting scene in which they are lost while somehow she survives in this massive sudden wave of destruction. I promise the kids we live nowhere near a tsunami-zone. But I can see that the younger two are quite upset at the thought of a mother losing her children, or her children being lost. Good job, Mom. So perhaps not the best note to end on.
But back to Wave: It is a powerful memoir, if you want to take it on. It isn’t as hard to read as you might imagine. Sonali Derayinagala is a lovely writer. And she carries you right into the void of what it would be like to lose all of the people who make you who you are, most fundamentally. Who is she, without them?
It isn’t a question any of us would want to answer.
Oh dear, I’ve reproduced our evening rather too perfectly. I’ve ended on a downer. I do apologize. Now, keep reading, keep reporting. And get back to me on Sunday.
Yesterday, picked up this tired little fellow from camp. Despite looking half-asleep at camp, he was very animated in the car, singing and recounting happy stories all the way home. My favourite was about how he and two cabin-mates had plotted out a three-book series (!!) about the mythical “Evil Octopus” that is said to live under the water trampoline in the camp pond, and a good but luckless character named Tamarack Tom. Could a writer-mother ask for anything more?
On the drive to camp, I listened to an interview with a young British woman, who was on the last leg of a five week North American tour: she’s a hip-hop artist, poet, and novelist — Kate Tempest. Somehow, at least temporarily, she restored my faith in the necessity — the importance — of performance. Her fresh enthusiasm was exactly what I needed to hear. She was so present and so thoughtful, dynamic, inventive, inspiring. I was inspired. Look it up, take a listen.
When we arrived home yesterday, our visitors were just arriving too: cousins for Canada Day!
The three other children had been home alone all day and the house was in a minor state of disaster, despite our newly assigned jobs and chores. How hard is it, really, to carry a dirty dish to the kitchen?
Anyway. Thankfully my sister-in-law is not fussy. But the dogs are also shedding at present. So I just vacuumed.
And I’m getting ready for another road trip yet this week (just me and the elder daughter).
Me and boy and tiger in “The Chub-Chub”
Since last Tuesday I’ve put over 1,000 kilometres on our little pod car, or “The Chub-Chub” as it has been nicknamed by the eldest son. So much car-sitting! My body couldn’t wait to move again. Last night I ran at AppleApple’s soccer practice and kept going and going and going. I knew if I stopped and stood by the field, the mosquitos would get me, and my legs were so happy to be running: I went 14.5 kilometres and it didn’t feel hard, which cheers me greatly, and makes me think I’ll be able to run the half-marathon when I go to Victoria this October (I’m a guest speaker at this fall’s Victoria marathon–have I told you that yet?). (How this fits with less is more, I have no idea, and it probably doesn’t, but there it is, and I’m excited, and excited too about the possibility of even more travel.)
In other exciting news: here is the cover of The Juliet Stories, as it will appear in the UK & Australia. Amazing, hey?
My meditation word right now is change. I’m restless, wondering, working hard, trying to tune in to what matters, my brain firing off in all directions, as I stand here on July 1st, amazed at what we managed in the month of June. It’s been quite the ride, with so many swoops and dives, long distance drives, and more soccer fields than I can count. Hang on, here’s summer.
All for now.
I have a list in my head entitled: Jobs That Kids Can Do Themselves! I can see the title written out in perky brightly coloured bubble letters on a piece of paper and I can see the children discovering the list, glancing at it, and sighing, Oh Mom. (On the imaginary list: pick up dog poo in back yard; clean shoes after stepping in dog poo in back yard; feed and water dogs; put away clean laundry; put dirty laundry into hamper; hang wet towels; empty dishwasher; put dirty dishes in sink; empty recycling and compost bins; make breakfast and lunch; clean up after breakfast and lunch; find friends to play with…)
I have driven many many kilometres this weekend. I have driven them in my new little car. On Tuesday we gave in to the ongoing overlapping scheduling puzzle that has been our reality, as a one-car six-person family, these past few years, and we bought a second vehicle, a little pod that can efficiently travel from the mothership.
Sunset over salt mine, Goderich, Ontario.
On Friday night I was with friends in Goderich — old friends. I was reminded that even within a larger group, I look for moments of intimacy amidst the noise. I like to listen. I like to hear.
On Saturday afternoon I read at a festival in Bayfield, in a space that had been the town hall, with four other writers, and the stories they told were essential and moving and spiritual, somehow, and as the last reader of the eventful first half, I felt myself pulled into the flow in the room, and saw how there was space and focus for what I was about to offer and I was so glad and grateful to the other writers for opening up that spiritual river. How I loved stepping into the water. How I loved Aganetha, speaking through me. On the way home, driving my new little car through the rain, I didn’t want to listen to the radio, I didn’t want talk or music, I wanted to hear my own thoughts, I needed space to let the emotions of the afternoon work their way through my system. I heard myself saying, Aggie Smart is a wonderful character. Give yourself that. Let yourself know it.
One of the writers at Saturday’s event told me afterward that they were embarrassed by the organizer’s introduction of me, which was particularly awkward—title of my last book wrong, said she couldn’t find any information about me online, except some weird site called Obscure CanLit Mama, which perhaps she didn’t realize was mine—and when I got up to speak, I tried to riff off her intro and said that I didn’t mind being obscure, and wrote for the words on the page and the stories I wanted to tell, which perhaps just made everything all the more awkward. And then I read. I dove right into those words on the page. I wasn’t upset by the intro at all, actually, even if the other writer thought it was infuriatingly dismissive of my career and experience. Oddly, I’d thought it was accurate and reassuring. How nice that she couldn’t find much about me online, I thought. Maybe I can do this writing thing and remain obscure. (Although, is that really true? I’m not going to Google myself to find out.)
An author at the event told a story about Alice Munro writing while her kids were at school, and covering her typewriter when they arrived home again; I like that un-precious approach to the work. It fits with how I see myself, as a very ordinary person living a very ordinary life, who happens to enjoy an imaginative extra-life, like a room in the attic full of dress-up clothes stuffed into old-fashioned trunks or with secret passageways that I can visit and escape to, but I’ll still be back downstairs in time to help make supper and coach a soccer game. Life has many rooms. I want to live fully in all of them, whichever room I’m in.
Yesterday, I delivered my youngest child to overnight camp, and he is away from me until tomorrow. This picture breaks my heart just a little. He looks so anxious, but also like he’s trying to reassure me that he will be okay.
The writing work that I’ve submitted recently sits out there waiting for responses and there is no guarantee that anyone will like it or want it. I want other writers to know this, especially writers beginning their careers: know that even the writers you think of as more established, or as having had some success, receive rejection, sometimes, or have to begin projects over again, or abandon them altogether, sometimes. In fact, I think it’s good for a person never to get so comfortable in her abilities that her work can’t be critiqued by thoughtful professionals. It’s good never to become so precious, so valuable commercially, that no one holds you to account. (Even though that sounds awfully tempting and a person can dream!)
The best things in life are never the easiest, even if the experience of them feels easy. Getting to ease is hard.
Maybe I exercise because it is a form of extremity, it removes barriers, can push the self beyond the beyond to a purer place that doesn’t traffic in the ordinary obstacles that come between people, that we use to keep ourselves safe and protected and apart.
Behind me, a daughter inhales her asthma puffer. I can hear her breathe out slowly, then pull the medication into her lungs.
Behind me, my other daughter and her friend practice what I think are dance steps, her friend instructing her, one-two-push. But when my older daughter joins their conversation, I realize that a soccer ball is involved, and the friend is teaching my younger daughter a fancy soccer move, in our living-room. Maybe she will use it in her game tonight.
The nervous little dog comes into this office and lies down near my feet. She is distressed by change and change is constant in our house, in the summertime.
If I were to write a poem today what would be my subject?
If I were to write a short story today what would be my subject?
Here is the blog post I’ve written today. What is its subject?
The American writer, James Salter, died recently, aged 90. His output, said the obituary, was modest: six novels, two short story collections, a memoir. I think that output sounds quite fantastic. Nine books in total, not much more than a book a decade. I think it must have meant he cared deeply about what he published and rejected a lot of his own ideas and attempts. This is just a guess.
Enjoying this room I’m in. Hope you are too, wherever you are.
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