Category: Friends

When does your inner light shine brightest?

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As promised, November has been busy — so busy that I’ve hardly noticed or mourned the shrinking of the light, or the encroachment of the cold and snow.

I’ve mentioned here before that I’ve been doing therapy regularly since the summer. It’s been, if I dare say so, essentially transformational. I wish therapy were affordable and accessible for everyone, anytime. I’ve definitely gone without therapy due to cost (for years and years), and it feels like a complete splurge even now; but it’s getting me through some challenging times, so it’s become a priority. Another priority is twice-weekly kundalini classes. These, combined with walks / runs with friends, solo runs, yoga and stretching are my go-to sustainers for body and mind.

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Yesterday’s prompt from my art therapist was this: When do you feel your inner light shine brightest?

At first, I couldn’t feel my inner light shining at all. Then, I saw myself with eyes closed in my studio space right here, in the dark, with the moon shining through my window, practicing kundalini yoga. Here in the dark, inside myself, I can come and sit no matter my energy level (tired, anxious, jittery, exhausted); here, no matter what’s happening in the rest of my life, I can sense my inner light flowing forth: a restorative activity, a practice that renews, comforts, meets me wherever I’m at. Gradually, other moments of inner light shining brightly emerged, and I drew them, one by one, smaller figures embedded in the world being conjured and held by the brightly shining meditative central figure in the drawing.

I saw an inner light communicating with the page, through words, as I worked on a manuscript: such a deep radiant concentrated focus.

I saw myself speaking in front of an audience, in the spotlight, being seen, but also radiating outward in connection with the energy and attention I was receiving: magnetic energy.

I saw myself having fun with my kids on a road trip, a loose goofy say-anything lightness: riffing off each other, appreciative, a curious attention, relaxed yet attuned to adventure.

And I saw myself with a raggedy light that was a bit of a blaze, honestly, an energy of determined persistence that engulfed me and pushed me toward a goal and wouldn’t quit till I got there: usually in service of someone else’s needs.

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What I recognized through this work was that my inner light has the capacity to shine brightly in many situations; but there is payment afterward (or before) when that energy burns. Or, it’s simply not always accessible. Inhabiting fun isn’t always an option (but could it be more often, if I recognized my capacity to invent it?). Speaking in front of people, or managing within a larger group can be affirming and exciting and energizing; but I have trouble coming down, turning down the temperature afterward, which means I tend toward of a crash on the other side (could I learn better how to manage these fluctuations in attention?). I love my writing days, I love being pulled deeply into other worlds and bodies and times and spaces; but it’s hard to drag myself out, I struggle to return, to re-engage with the real needs of those around me (there may not be a solution to this, rather more of an acceptance, and a structuring of the writing times to acknowledge this reality). Finally, the energy of determination gets shit done; but I risk burn-out in this mode. I’ve seen it happen again and again.

The final thing we talked about in our session yesterday was how I envisioned my ordinary, every day inner light. An image came to me immediately: as a pilot light, patiently burning, not noticeable but ever-present, steady, reliable.

When I turn down the other flames, the pilot light remains. I’d like to learn more about how my body functions in these heightened environments and relationships, as I seek to support both my children and my elders, to serve my writing and career, and to prepare for publicity work in support of the new novel. I don’t want to dread any of these tasks I’m being called to do. It’s occurred to me that what I dread isn’t the tasks themselves, but how my body responds to them — in preparation, in the moment, or afterwards. Being drained is a real feeling. So is being burnt-out. So is being eaten up by anxiety. So is frustration, impatience, grief at what you’re not able to accomplish when you’re focusing on a necessary task. Being amped up and super-high and hyper-distracted is also a real feeling, which doesn’t fit with early morning responsibilities and regular life.

So.

That’s my November, summed up in inner light.

When does your inner light shine brightest?

xo, Carrie

October reflections

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October Reflections

Wait, October is over? That happened fast.

What felt good this month? I got stuff done! I focused on my writing. I sent the final revisions for my new novel to my editor, and she’s very happy with what was accomplished. I’ve been easier on myself, too, trying to subtly change my patterns of thought, so that my knee-jerk response when things go awry or feel uncomfortable is not to beat myself up, or talk down to myself, but to quietly acknowledge: you’re human, Carrie, and you make mistakes, and that’s okay. You’re still a worthy being, like every other human who makes mistakes, needs rest, has off days, and puts her foot in her mouth regularly. I also got my hair cut for the first time since the pandemic started (see photo above, taken on a sibs night). And I’ve booked a photo shoot for a new headshot. Update with glasses needed!
What did you struggle with? Being done. Finishing a big project. I know it sounds strange, but completing those revisions threw me for a loop. After working with such purpose and intention for these past few months (and with great joy, I must add!), I knew that the after-effects of finishing would challenge my action-oriented tendencies; but knowing it in advance didn’t prevent it from happening. Thankfully, I had friends and routines to steady me — and to help me celebrate a genuinely monumental accomplishment. I let myself rest (a bit!). And I let myself set some new goals (writing-related). I read a bunch of books, too. I didn’t revise my resume, or take online quizzes about careers suited to my personality type, or apply for any master’s programs, or scroll through job ads for “real” jobs. (Yes, this is what I would usually do when falling into a brief period of inactivity after accomplishing a big project.)
Where are you now compared to the beginning of the month? I’m looking for ways to ground more deeply into accepting, supporting and celebrating this writing career I’ve chosen to pursue, come hell or high water. This means building community. This means saying yes to some things, and no to others: thoughtfully, taking care. This means supporting and celebrating others. And, like last month, my outlook remains: let’s enjoy what we’ve got while we’ve got it.
How did you take care of yourself? I went on an actual gd writing retreat with my writing group!!! That experience is still taking care of me, as I sink back into grateful memories of our weekend in paradise. There is harmony in caring for the self and caring for others. For example, I’ve noticed that by giving myself substantial writing time throughout the work week, I’m able to be more fully present with friends and family. My fantasy for the future (and the present!) is to offer safe haven, retreat, peaceful attention, relaxation, hospitality and safe harbour to friends and family, by whatever means are available to me; while also writing books. That’s it. That sums up my brand-new Artist’s Statement!
What would you most like to remember? That there is ease within the effort, and that effort is easier when one’s circumstances are aligned to support the goals. This is not always possible. I have to live the life that’s coming at me, and that includes the parts that are challenging, deeply sad, irritating, wearying, not chosen. On those days and in those hours when the circumstances align with the goals, I need to give thanks and do the work. I would also like to remember that I won’t run out of ideas for books to write! Somehow that’s been a persistent underlying fear — that I’ll write myself out of stories if I write too much. Impossible! The context is ever-changing, as am I, and stories reflecting those changes just keep flowing in. It isn’t stories I’ll run out 0f, it’s time! Plus, I write better the more I write. It’s the only way to get really good (confident, comfortable, at ease) doing anything: practice, practice, practice.
What do you need to let go of? It would be lovely to worry less. My mind would like to think that its worries protect me, somehow; and they don’t. A worry worn smooth in the mind is not a protective talisman, it’s a rut. Maybe a persistent worry points to patterns that hold strong, and resist change. Maybe I can look at a persistent worry and ask: do I want to keep holding this? I’ll be very kind to my worrying self: you worry because you care, and that’s okay. And then I’ll ask my worrying self: what would happen if you set this worry aside, even for a breath? That’s where I’ll start. I’ll go from there.
xo, Carrie

Writing retreat

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I spent the weekend at a location somewhat north and west of home, out in the country, at my brother and sister-in-law’s farmhouse, on a little retreat. A writing retreat to be specific; although I wrote very little.

In truth, I’m all written out.

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So I leaned heavy on the retreat aspect of this weekend’s potential. Last Thursday, I sent the final revisions for Francie’s Got a Gun; next step: copy edits. I worked on the dedication and acknowledgements this weekend. I re-read the project that had been set aside during these several months of revisions. I re-read my old notebook, too. Napped a bit. Walked. Picked tomatoes from my sister-in-law’s garden and made a salad. Stayed up late talking and reading stories with my writing companions (who got lots of writing done! Yay!).

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I’m home again, now. A new week before me, and how strange not to have Francie waiting for my attention. Of course, I felt elated upon finishing. Relieved, delighted, stunned. But emotions are complicated. Today, I also feel tired, a bit worn out, depleted, anxious about what to focus on next, pretty sure I need to give myself a break, and hoping I’ll be kind to myself during this transition to whatever’s next.

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Maybe I’ll try to dream up a ritual or a plan or some structure — stepping stones? — to bridge the uncomfortable gap between projects. What’s your survival strategy, to enjoy life and reset and stay calm and present between projects?

xo, Carrie

“Thanks” brings me closer

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Today, this month, I turn and return to gratitude. I’ve been looking for poems about thanks and thanksgiving for a church service I’m helping to plan, and I’ve noticed the poems that draw me are tempered with grief, there are many colours woven into the fabric of the experience of thanks they describe. I’ll post one, by Jane Hirschfield, below.

Monday morning thank-you list:

1. Kasia’s yoga class this morning, and her invitation to greet the day by saying, “Good morning, I love you,” to ourselves. (Wow! That changes the wake-up script!)

2. Enough time to work on revisions. Solitude.

3. Invitations to speak. Connection.

4. New projects, old projects, ongoing projects.

On the “new projects” front, in addition to the novel, I’ve got a couple of creative non-fiction pieces being published in anthologies, this year and next. Both are very personal, and a bit raw — “In This River” has just been published in an anthology called Impact: Women Writing After Concussion. Here’s me talking about my concussion (oh, soccer!) and reading an excerpt from my piece. I also “composed” and played the music that accompanies this video (“composed” in quotation marks because it’s just pure improv). A strange after-effect of the concussion: I was able to improvise very freely on the piano; more to do with rhythm than melody, almost as if some interior barrier had been breached.

video edited by Jun Kim

(Monday morning thank-you list, cont.)

5. Stretching myself, learning new skills … like the opportunity to make the recordings, above.

As I think about my relationship to my writing life, I am aware that publishing is a piece of it, and that means a different kind of work and effort and engagement with the world: presenting, public speaking, sharing. Looked at from one perspective, publicity work terrifies me, I’ll be honest. I’m terrified of feeling exposed, of being drained, of being judged wanting, of feeling ashamed. But looked at through the perspective of thanks, everything changes. Good morning, I love you! What if THANKS were the baseline I returned to many times each day?

Thanks brings me closer to wonder and admiration. Thanks brings me closer to patience, calm, the ability to pause. Thanks brings me closer to others. It’s a lens of perspective that gives me a different relationship to time and to self.

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(and one last thank-you on the Monday morning thank-you list)

6. Counselling, meditation, naps, yoga, stretching, running, walking, journalling, this blog, reading poems, writing.

I love these things because they make possible my engagement with everything else. I don’t want to live an entirely interior life — I love that part, it comes easily for me; but I want to be in the world, I want to connect, share, respond, serve, workshop, teach, coach, relate, cradle, hold, feed, nurture, offer of what I’ve been given. You know? It’s a short life. I want to live in it.

xo, Carrie
 

"When Your Life Looks Back," by Jane Hirshfield

When your life looks back —
As it will, at itself, at you — what will it say?

Inch of colored ribbon cut from the spool.
Flame curl, blue-consuming the log it flares from.
Bay leaf. Oak leaf. Cricket. One among many.

Your life will carry you as it did always,
With ten fingers and both palms,
With horizontal ribs and upright spine,
With its filling and emptying heart,
That wanted only your own heart, emptying, filled, in return.
You gave it. What else could you do?

Immersed in air or in water.
Immersed in hunger or anger.
Curious even when bored.
Longing even when running away.

“What will happen next?” —
the question hinged in your knees, your ankles,
in the in-breaths even of weeping.
Strongest of magnets, the future impartial drew you in.
Whatever direction you turned toward was face to face.
No back of the world existed,
No unseen corner, no test. No other earth to prepare for.

This, your life had said, its only pronoun.
Here, your life had said, its only house.
Let, your life had said, its only order.

And did you have a choice in this? You did —

Sleeping and waking,
the horses around you, the mountains around you,
The buildings with their tall, hydraulic shafts.
Those of your own kind around you —

A few times, you stood on your head.
A few times, you chose not to be frightened.
A few times, you held another beyond any measure.
A few times, you found yourself held beyond any measure.

Mortal, your life will say,
As if tasting something delicious, as if in envy.
Your immortal life will say this, as it is leaving.

News from the writing sabbatical

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For the past five weeks, I set-up an automatic response on my email that went something like this: “I’m on a writing sabbatical.” I was tempted to keep it forever, but on Tuesday of this week, I turned it off, at least temporarily. This is the week between writing sabbatical and actual holiday (but how to tell the difference between those two amazing and lovely states of being?!). My writing sabbatical felt like a holiday except possibly even better, because it felt so purposeful. I felt so purposeful within it, doing the work. This week of errands and catch-up and to-do lists has been distinctly unsatisfying, by comparison.

To update you on my current project, I spent five weeks working daily (with the exception of most weekends), revising this novel called Francie’s Got a Gun, which is scheduled for publication next summer (2022). Some days got a bit chaotic and I couldn’t stop, working deep into the evening hours, while others had a more orderly rhythm and pace. But overall, I kept returning to the idea of patience, and inviting patience into the process. It’s hard to explain, maybe, but once I get rolling it’s very difficult to stop. My challenge, once working, is to find a way to stop, to detach myself from the work at the appropriate hour: to rest, to relax, to let the thing be.

So I practiced. I stopped to eat supper with my family almost every evening. I went for walks. If my 13-year-old knocked on my door for a dog walk mid-afternoon, I always said yes, no matter where I was at. And I forced myself to take real breaks on weekends, to see friends and family, to take a few (small) trips, to socialize, unwind, or simply just to remove myself from the work.

I practiced taking breaks away because I knew it would benefit the work. Toward the end of the process, I was hugely tempted to pull an all-nighter to finish everything all in one fell swoop, but I stopped myself. Patience, patience. My eyes were tired, it was already late, my brain was addled. The writing would be better in the morning, after a rest. (And I’m sure that it was.)

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One of the places I worked, at my youngest’s swim lessons, sitting outside under a tree near the pool.

I’m not a big believer in balance (seems like a concept designed to torment the person attempting and failing to achieve it); but I do believe in focus. I believe that to go deep and be present, I need to set up the conditions that allow me to focus on one thing at a time. Dog walk with son. In-depth revisions. Backyard picnic with friends. This is easier when I have sufficient time to focus on the things that matter deeply to me. What made it possible to ease away from the book on the weekends was knowing I’d be able to focus full-tilt the following week. And this all falls apart when my week-days are split between a bunch of must-dos, errands, meetings and external responsibilities, the disruptions and lack of sustained time prevent focus from ever happening in the first place. Disappointment, disillusionment, derangement is the result. That’s why the conditions need to be deliberately set up, revisited often, and maintained; that’s why I might actually need “I’m on a writing sabbatical” as my automatic email response in perpetuity.

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During this week in-between, this liminal week, I’m reflecting on what life will be like with fewer children living at home this fall (only two!!!!); and I’m daring to look ahead a few years and invite some dreaming about what I may want, as the house empties out. (So far the biggest issue has been that I can’t calibrate my cooking for a smaller group; the leftovers my meals create is a legit problem!)

What’s next for Francie’s Got a Gun? Within the next few weeks, I expect to hear back from my editor with comments and notes, and I’ll set up the conditions to get further revisions completed before the manuscript goes to copy editing. There’s a timeline, and it’s a real pleasure to work within it. Comforting. When that work is done, I’ve got more work planned, more projects underway, more reasons to protect many hours of each day to write (and research, and revise).

I almost wrote “just” to write. But no. Why tamp down the fire? Why minimize the desire, the joy, the pleasure I take from this discipline? It’s enough. It’s enough. It’s enough to fill to the brim this one small and precious life.

xo, Carrie

Believe

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Week three of intensive revisions. It will take as long as it takes; but also, the work somehow needs to fit itself into the deadline. When I last revised this novel, it was pre-pandemic, and I had a ten-day window to overhaul the whole thing, and somehow I shifted into what in retrospect seems an improbable state of mind, in which I worked twelve hours a day or more, writing brand-new material, sometimes as much as 10,000 to 15,000 words a day. By the end of the process, I was pretty sure I was in an altered state, that I’d driven myself to the brink of madness, and that what I’d accomplished had been a feat of stamina and focus that seemed impossible (and unwise) ever to put myself through again.

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So this round, I have more time, and I’m taking it.

I find that I can write for about 6 hours maximum, before my focus begins to wane, or my mind just shuts down, weary, out of gas, the errors and typos beginning to multiply. So I figure it’s best to stay within these limitations (which feel physical as much as mental). I’m trying to stay patient, I’ve got a solid road map to follow, and I keep assuring myself that the work will get done, it will get done. I just have to give myself space to rest, when I hit a tough spot, and time to relax in the off hours: I have to go for walks, runs, see friends. And I must use the golden hours of maximum attention for nothing but this work.

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To this end, I’ve set up a vacation message on my email account, naming what I’m doing as a writing sabbatical. I’m at my desk, the message says, but I’m not available. The power of creating this message can not be understated. Why? Because it names what I’m doing as important, it outlines in simple terms my priorities. I think it’s a message to myself as much as to anyone who might be reaching out via email. The message says (to me): It is my responsibility to protect what matters. No one else will do it for me.

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These photos are from this past weekend, when my daughter and I visited a friend’s new farm. It was a holiday, but I also took my laptop and worked in various locations, mostly in the car, while chauffeuring my daughter and her friends around. 

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When I got home yesterday evening, I finally turned down a volunteer opportunity that I’d been weighing, and really wanting to say yes to. But I realized that to say yes to this would be to squeeze my writer self. And she can only be squeezed so much before she begins to fade, to waver in her belief in herself, but also in her basic ability to get her work done. I am trying to take the lessons I’ve learned during the pandemic, which has been the most productive writing time of my entire life, and continue to apply them as the world opens: lessons about the cost of accepting (even seeking!) responsibilities atop responsibilities, commitments atop commitments. Lessons about the cost of squeezing out my writing self. Which is, at core, my fundamental self: the self I am that is not attached to anyone or anything else.

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The pandemic freed me, quite a lot; it forced a change in long-held patterns. It jolted parts of me to life again. It reorganized my priorities.

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I’ve seen this happen for many others, too, including my friend at the farm who until very recently was my neighbour; the leap she’s made is bigger and more challenging than the leap I need to make, to protect my space and time for writing. I watch her meet this amazingly brave and heart-led challenge and think: I BELIEVE. 

xo, Carrie