This is a post I meant to write on my birthday, which was yesterday. Yesterday, I fully intended to plan out my writing adventures for this upcoming year. I would journal and blog and make schedules and send messages and plot workshops onto calendars. Instead, I indulged every lovely whim: I was treated to lunch by a friend, hugged my dad, went to the movies, opened presents and cards, and went on a dinner date with Kevin. When I sat down at 10PM to write in my journal, I was promptly interrupted by my youngest, who needed me to read Harry Potter to him — the last book in the series has become too dark for him to read alone in his bed: “It’s like she [JK Rowling] dug down so far that she hit a sewer pipe and then she just kept digging!” He pronounced it “swer” pipe. I love when my children mispronounce difficult words — it means they’ve learned the word by reading it. Thus ended the journaling.
Listen, my mind is humming with ideas and plans. Listen, I’m going to get them down on the page, out into the world.
I’ve been working on sketching out the curriculum for a 12-week creativity course, based on Lynda Barry’s Syllabus. (That’s what it looks like, above.) The course involves a lot of writing and perhaps even more drawing, using a variety of materials (crayons, watercolours, pencils, ink). The goal of the course is to create an illustrated handmade book, roughly in the form of a short graphic novel, although the book could take any form, really, so long as it has stories and drawings. In order to refine the curriculum, and understand my own capacity to teach this course, I’m going to test out my ideas over the next twelve weeks. I am looking for a few guinea pigs to test the ideas with me. You don’t have to live nearby, as I’d also like to discover whether it would be feasible to administer and take this course from a distance.
Are you interested?!
If so, please contact me, and I will send you details of what I’m imagining for this very rough, experimental, alpha version of the course. It’s a reasonably big commitment (12 weeks of serious writing and drawing assignments), but I’m looking forward to exploring in new and creative ways. I’m looking forward to building new stories.
UPDATE, JAN. 3, 2017: Thank you to everyone who volunteered to be a guinea pig! The trial spots have all been filled. Stay tuned for progress reports throughout the term, and let me know if you would like to be contacted with info about future courses.
The dark is luminous when I walk the dogs, early. I forget to dress the little one in her pink sweater and she shivers and hurries along the paths carved between snowbanks. We slip and skid and crunch over packed ice. Morning has not yet broken. Night is a form of protection. It hides us from ourselves.
We sleep and dream, and we travel in our dreams.
In my dreams I sort out the riddles of my immediate future. I prepare elaborate plans. I wake, convinced these plans have been set in motion, convinced I’ve solved all problems.
When I walk the dogs, early, it is like the dreams are still within me or upon me, as night surrounds me. I am completely myself, the dreamer.
The dreamer has always lived in me, and I in her.
“I feel sorry for you when you read the newspaper, Mom, because you always seem so disappointed and so sad.”
“I’m not disappointed, exactly.”
“It’s like your beliefs get crushed, over and over. You’re too optimistic.”
“I’m hopeful. I think I can have hope without being naive. I’m sad and I have hope.”
“Morning has broken,” I say to the child who is still lying in bed. I sweep open the curtains. There is morning, breaking on our skyline, which is segmented by the roofs of apartment buildings. There is morning, streaks of pink and orange splitting the dark.
Must everything be broken, even morning? What do these words mean?
The day floods the dreams. And so begins the stark, bright march through the hours of consciousness, of schedules, of time marked, and meals prepared and eaten, and chores and errands ticked off the ever-lasting list.
Morning has broken, like an axe splitting the frozen sea inside. Something must do the job. Can my dreams come with me like shadows, attached to my feet, weighing nothing? Can I do everything I want to do, now that I am awake?
Today is a good day.
Every day is a good day.
That is not true, but every day could be a good day. Since I returned from France, I have endeavoured to hang onto the laid-back vibe that surfaced, slowly, and prevailed while I was there. It was so easy to be laid-back when my mind was emptied of its many duties and responsibilities, and I had only to focus on what mattered to me, and what I decided would matter to me.
Of course, that mind has once again been cluttered with necessities, but I am trying, trying, trying to maintain a focus on what matters. Does it matter that we will be a few minutes late because a child is disorganized (or because I am)? No. It does not matter. In France, I was amused to realize that it was no advantage to be early or even to be precisely on time, because no one was ever early or even precisely on time. Better to arrive a few minutes late without breaking a sweat. Now, that doesn’t quite work here in Canada, but at the same time, it isn’t a bad policy to follow: to not break a sweat. I don’t know if I can keep that laid-back feeling of … hey, this isn’t a real problem, this is a problem of vanishing effervescence which serves me not to trouble over. So many of the day-to-day problems are like this. If only I could let them go.
But how to let go the child yelling “hey, Mom!” from the other room as I clutch my train of thought while trying to respond politely, laidbackly.
Certain things seem easier, it is true. I’ve been reading and researching even if it looks (and even feels) like leisure. Just because I’m enjoying it doesn’t mean it’s not productive. Also, I’ve been much better at ignoring emails until a designated time, when I churn through the whole lot; or designating a particular half hour to a particular subject, like soccer messages (aargh!), or tax prep (double argh!). But you know. It all needs to get done.
I returned from France feeling content with my life. In France, I decided not to complain anymore about the things I’m asked to do, but to do these things with excitement and a sense of adventure. I decided to not worry so much about whether I did an awesome job, and simply content myself with doing my best and showing up. I get asked to do a lot of different things, some of which I’m not, frankly, all that good at, and probably never will be. So all I can do is try.
What I remembered, in France, is that a person is rewarded for her curiosity, her interest, her excitement, her willingness to leap in whole-heartedly. Really, those are simple ingredients. They require no talent. They require no skill. They require only a willingness to learn, to listen, to observe, to engage, to dig in, to do. I have those things! Sometimes I almost annoyingly have those things. I know that the light is going out of me when I lose those things. It takes so little to spark them again. I lose them when I’m exhausted, run down, distracted, overwhelmed.
You know, this can happen, in this life.
I wish the busyness of my every day life was renewing, but sometimes its effect is draining. Okay, so be it. I decided to have four kids, and I enjoy all of the richness and interest that come with raising them; of course there is a downside. There is always a downside. So how to make space within the chaos, how to prioritize, how to make space for my mind to wander, as it needs to, and to dream, and to come untethered from the schedule and the organizing and the mass of must-does.
I must go pick up children for violin lessons right about now.
Dare to dream, remember to dream, wander. Let the mind wander. Feed it on clean air, on walks outside, on friendship, and on work. Good work. Work that feels good to do.
I’m using this graphic without permission, because I don’t know exactly where it came from — a friend posted it on FB, and the link took me a website called Mind/Shift, but I didn’t see the graphic there. It looks like it’s by an artist named Sylvia Duckworth — thank you, Sylvia, for drawing me.
This is me.
At times, I’ve done a good job of conforming and I think I can work with others, but basically, this is me. (I’m wondering whether my siblings might all agree that this is them, too. And even a couple of my kids. And my husband. Anyone else feel like you’re looking at a self-portrait?)
I’m in the midst of a decision, and it feels like many of these parts of my personality are demanding airtime: hate the rules, dream big, make lots of mistakes, work independently, risk taker, think with my heart. Instinctively, I understand that to achieve anything, I must fail. It’s the only way to learn. I just don’t think of it as failing, I think of it as problem-solving, circling around an issue, coming at it from a variety of angles, experimenting, playing, rejecting what doesn’t work, trying again, ever-hopeful, dreaming big. But here’s what’s worrying me: if I want to succeed, I’m afraid that I have to look successful — already successful, already complete, already the man with the plan. (And yes, I know I’m a woman; do women find it harder to present like a man with a plan? Here’s an interesting article on the stress women undergo when trying to step into positions of leadership.) I’m afraid that I have to present like I know what I’m doing. Expertise inspires confidence, yes? And I do know what I’m doing, but I also don’t know what I’m doing, and I wouldn’t be interested in doing more of it if I thought I knew everything already — I’m interested because I don’t know, and because I want to learn (yes, as the graphic points out, I’m also easily bored). Because while I intend to get really good at a bunch of things, I never want to feel like I’m done learning.
(Counter-intuitive idea: maybe that’s part of mastering a subject — when you know enough to know you’ll never be done learning. To quote Donald Barthelme: “It is appropriate to say that the writer is someone who, confronted with a blank page, does not know anything.”)
On Saturday, at Waterloo’s Wild Writers Festival, I put a roomful of generously attentive people through a writing boot camp: an hour of intensive labouring and pouring out over the empty page, following guided prompts dreamed up by my imagination. I was amazed, as I always am, at what was waiting to be discovered in the unknown, such fascinating stories leaping onto the page; and I hope the experience for most participants was the same. A sense of excitement, adventure, of who knows what is coming next? I wonder, however, whether the workshop would be as welcoming if you weren’t a creative person — or, more accurately, if you didn’t see yourself as a creative person? Here’s an interesting stat from an article I read on Mind/Shift (titled “Can any school foster pure creativity?”): 95% of second-graders self-identify as creative; but only 5% of high school seniors believe they are creative. I recognize that the writing workshop I devised on Saturday might be a really difficult undertaking if you didn’t identify as creative; but what latent creativity is hiding inside even those who no longer believe they are creative? What if virtually all of us are hard-wired to be creative, at least to some degree? What is the purpose of creativity? Could it be essential to human survival?
Play, beautiful beings. Play on.
“There’s a big white flower behind one of the stumps, Mom, I’ll show you.”
Dream: I am at a long conference table set up in my mother-in-law’s back porch. Two women sit at the other end of the table, conducting an interview about art for live national radio, but I’m just here because it’s a convenient place to work. Earlier in the dream I spent way too much time anxiously trying to figure out why my children missed the school bus; the children are everywhere, all around the house, when I know they should be in school. So I’m sitting here, trying not to be too obvious or interrupt the interview, trying to work. I think that my work is writing, but when I look down, it turns out that my work is chopping potatoes. End of dream.
Things I’ve done since 5:30AM yesterday: ran with a friend, helped children practice violin and piano, made supper in the crockpot, washed three loads of laundry, meditated twice, blogged, edited an essay, answered emails, texted with friends and family, picked up and dropped off kids for piano lessons, worked on novel while sitting in car between pick-ups/drop-offs, visited with a friend while at piano lessons, attended a soccer coaching clinic, had tea with husband (talking soccer, hockey, and Fun Things We Want To Do), read books and newspaper, listened to radio (news and songs), slept, did strength exercises. Waited. Hurried. Tried not to fight with time.
I think of time in blocks and chunks and sections. I think of myself as travelling between these blocks and chunks and sections and trying to negotiate the transitions as smoothly as possible, trying to settle in wherever I’m at and not resist what’s happening. But sometimes it feels like what I’m resisting is time itself. These chunks of time, this careful measuring of hours and minutes, calculating these small openings and anticipating these sudden slammings-shut gives me a sense of urgency. A sense of urgency is very helpful when working to complete a big project. But to enjoy being alive, to relish it, savour it, swim with it, you need to be flexible, you need to let go of the sense of urgency in the moments when urgency would only serve to make you anxious or frustrated.
Because life is full of many many tasks and events and rituals that are long slow dreamy, unrelenting, without obvious beginnings or endings, mundane, repetitive, completely necessary, or completely unnecessary, often lovely — not projects. Not artifacts. Just unmarked rivering moments in the flow of time. If there’s a balance I seek, perhaps it’s between these two states of being: the urgent efficient ambitious project-driven state of creating something new; and the flow of life as it unwinds through its time, through its here and now, and being here, present and without the need to make anything of it.
This post is illustrated exclusively by cellphone-created photographs. Bear with me.
I’m presenting as dazed and confused this morning. No special reason for it. Could be the season. So many plans to keep in my head. I should be making good use of the quiet house, which will transform into a temporarily endangered species, seen rarely to never, come Friday around 3:10PM. Instead, I’m enjoying it. I just had a nap by the fire with the dogs. This is like stepping into a confessional. Shhhh. It was so so lovely. Forgive me.
I dreamed that I’d accidentally downloaded a virus onto my computer that rendered it useless; it kept running a program that showed a creepy GPS map of where I was at all times, with dire messages directed at me. That was not so lovely. But it does point to a certain subconscious anxiety underlying the lovely nap time, which is that I have work to do!
Good work, work I’ve been enjoying, but work nevertheless.
This morning, I got up early and went for a walk with my Thursday running partner. Tuesday’s running partner did the same. I feel immensely lucky to have running partners willing to walk with me during injury. Do you know how hard it is to get up early and go for a walk? It’s about a billion times harder than getting up early to go for a run. No zap of endorphins to reward your efforts. Hats off to all early morning walkers.
Tis the season of the festive school concert, and that’s where Fooey and I were yesterday evening, at AppleApple’s. Here, Fooey is reading patiently before the concert begins; ie. that is not a scowl of irritation. The scowl of irritation arrived when the concert was over and we had to wait around in the crowded gymnasium for AppleApple to come and find us (she thought we’d come and find her in the band room, until she realized we didn’t know where the band room was…). Anyway. Concert. Strangely glorious, I must say, and I don’t mean the parts involving my daughter specifically, I mean the whole thing. I should not be allowed out without a package of tissues. Because in the moment, there seemed nothing more moving than these groups of 12 & 13 year kids singing, dancing, and playing instruments together. (Maybe I’m going through something hormonal?) The squeaking of reeded instruments, the tuning (lack thereof), the confidence, self-consciousness, talent, and bravery–the participation. I would do all it over again.
Wait, I’m going to. Albus’s festive school concert is on tonight. Wish me luck, though. The turning. The tuning.
Have I shown you this picture yet? It’s a scene from My Perfect Family, you know, the family that is mostly fantasy, but occasionally surfaces into reality, in one’s living-room–the family you dreamed of creating back when you thought you were in control of such things.
Children reading by the fire. Perfect Children reading Christmas books lovingly collected over many years and brought out every December by The Perfect Mom. I have photographic proof that this actually happened. Once. Last week. For a few minutes.
Okay, thanks for walking along with me this morning. The confusion and daze is lifting, I think. Time for work.
PS I won a prize! This blog was judged First in the category of Writing & Literature and Third in the category of Life at the 2014 Canadian Weblog Awards. I get this button. I’m not sure what to do with it, so I’m pinning it here.
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