I just received the cover art for the Polish version of Girl Runner (titled “Biegaczka”; any Polish-speakers out there? does it translate as Girl Runner?), and thought it might be fun to line up the covers so far, and see all these versions of Aganetha Smart running, flying, leaping, winning, or standing pensive and strong, as in the Dutch version, which will have the title “The Rosebud Athletics Club for Women.”
Because the images appear on the screen in a different order depending on your browser, it doesn’t work to tell you what cover comes from where by going around clockwise, but included here are covers from: Poland, the United States, the UK & Australia, Spain & Latin America, Canada, and the Netherlands. (I should run a contest–which cover comes from where!)
I also just got off the phone with Owlkids, the publisher of my first children’s book, The Candy Conspiracy, and will take this opportunity to note that although the official pub date isn’t until April, 2015, it’s already available for pre-order on various book-selling websites in Canada and the US. Here’s what it looks like.
Will it be different to be a children’s author than an adult author? I guess I’ll find out soon enough. And I will let you know, but of course … One difference will be the launch party: way more gummy worms. (This launch party basically plans itself.)
photo credit: Shari Lovell
This morning began unusually. I woke at 6AM, refreshed after a very very long sleep, having crashed out just after 9PM last night. Teaching takes a lot of energy, at least for someone who would skew toward introverted on the personality continuum, and I had my class on Wednesday night (a happy place to spend three hours, I must tell you, even though our windowless brick room in a hive-like building resembles a bunker, and gets very muggy when packed out with creativity and debate). What a day to go and teach. I think it was a good thing, as it forced me to be focused and to pay attention to something other than the noise.
There was some noise on Wednesday. There was this lovely interview done by the Canadian Press, which ran in various media outlets. There was the phone call from the Writers’ Trust to confirm that Girl Runner was on the list, and various emails to note upcoming appearances and media requests associated with the award. I checked my calendar a lot. And my phone. Twitter and Facebook kept pulling me in. It was a lot of noise, as I say, and I found myself unable to settle and reflect, or even, quite, to feel what was happening.
So I was grateful to my students for occupying my evening. We talked about poetry. There was so much to learn from the discussion, so many reminders of why poetry matters, why words matter.
photo credit: Shari Lovell
Kevin had gotten take-out ramen for supper, which I reheated in our shiny new microwave when I got home, nearing 10PM. (Yes, we finally got a microwave, and I must confess my leftover lunches are much more enticing than those consumed during our long, cold pre-microwave era.) After eating, all the kids in bed, Kevin dug through his scotch collection (so many bottles, each with an inch or three of liquid, leftover from our years of hosting scotch parties), and pulled out a particularly choice selection. I don’t have the name handy. But he went online to check its current value, were it full and unopened, and announced that we would be celebrating with a $5,000 bottle of scotch. I mean, seriously?! There was just enough for two wee drams.
One of the pleasures of the scotch party is hearing our friend Mike read the tasting notes, so to keep with tradition, I will tell you that this ridiculously pricey scotch tasted heavily of oak barrels, with overtones of straw (or was that the colour?) and undertones of turmeric and cinnamon. Or something like that. Maybe it was nutmeg. And a bit of blue sky.
It was a lovely celebration. I was up five hours later to run with my speedy friend Heather, who kindly slowed down for the occasion; also because that will be my last run before I attempt the Toad, tomorrow morning: 25 kilometres of likely-to-be-muddy trail. God help me.
The book I was reading this morning is called A Tale for the Time Being, by Ruth Ozeki. I’m going to keep talking about it until I’m done, and probably for a long time thereafter, and the next reader I’ve got in mind is my 11-year-old daughter.* We’re both of us possessed of a lot of energy and drive (I hazard to suggest she’s got even more of both than I do), and we both of us need to find ways and reasons to turn down the noise and become still. (And not because we’re crashing!)
my girl runner
Wednesday, after the prize announcement and before teaching, I dashed over to her school to watch her run a cross-country race. She came second out of a large field of 7th and 8th graders. “I’m so tired! Weirdly tired! Like way too tired!” she told me immediately afterward as she lay prone on the grass. “You just ran three kilometres really fast,” I pointed out. “That’s not it!” “Well, maybe you’re too frail and shouldn’t run more than 200 metres,” I suggested, tongue in cheek. She’s read Girl Runner. She smiled faintly. Then she sat up and took off her shoes. “My feet are too hot!”
At first, she was quite disappointed in her performance, and it mattered not when I pointed out that the girl who finished first was two heads taller and a grade older. She insisted on expecting better of herself. I kept assuring her that she’d been wonderful, that she’d given her all, that I was very proud, and finally, much later, before bed, she smiled to reassure me that she was happy with the race. Mostly. I can’t argue with her. Her expectations are her own. She isn’t discouraged when she doesn’t meet them. Instead, her expectations seem to fire her with greater focus and renewed intent. Yeah. I get that. There will always be someone faster, smarter, more talented. But I think she already knows: that it’s not about comparisons. It’s about finding one’s own voice, one’s own passion.
But what about stillness? What about releasing expectation? What about rest for the mind and body?
A Tale for the Time Being is the story, in part, of a 104-year-old Buddhist nun who’s offered decades to the practice of meditation, prayer, ritual gratitude for each gift, no matter how small. She bows with her whole body to the world. She is at peace with mortality. The humility of her daily practice gives her SUPAPOWAs! Even her physical frailty is a strength.
So I wake this morning, early, thinking about how whatever I have to offer must come from a grounded place, a place where I sit in stillness and silence, practicing gratitude, bowing with my whole body to this beautiful, difficult, scary, noisy world, with openness and with humility. A gift is a gift. What to do with it? How to give thanks? How to give, no matter how tired, frail, mortal, flawed? How to be still. How to listen.
PS I’d like to point you toward a review of Girl Runner by a blog-reader who is an Ironman athlete and writer; he also digs into the history of women’s long distance running.
* Note: after writing this post, I finished A Tale for the Time Being, and discovered that in the final third of the book, there are several extremely dark scenes relating to extreme bullying, attempted rape, and child prostitution, and although my 11-year-old is a mature reader, I don’t think the book is meant for her–not yet. But sections of the book are meant for her! However, I can’t figure out how to carve out the darkness to show her the light. I think this Tale for the Time Being will have to wait, for the time being. Nevertheless I highly recommend it to a mature adult audience. What is light without shadow? (The book also contains the clearest explanation of quantum mechanics that I’ve ever read.)
The long-shot has happened: Girl Runner is a finalist for the 2014 Rogers Writers’ Trust Award for fiction. It feels like a lightning strike, which is what I was thinking about prize lists this morning, before hearing the news. And when I heard the news, via a tweet that my cellphone casually blinked across the top of my screen, it felt like a zap, an electrical shock. I guess that’s where the phrase “feeling shocked” comes from. Somewhere real.
This is what the jury said about Girl Runner in its citation:
Carrie Snyder’s Girl Runner delivers us one of the most memorable characters in decades. In 1928, Aganetha Smart won Olympic gold for Canada in track. But at 104, she is confined to a wheelchair in a nursing home, forgotten. In plumbing the depths of Aganetha’s story, Snyder has this incredible woman whisked away on one more adventure, during which she brilliantly explores the twin natures of memory and loss. Girl Runner is a witty, poignant, and finely plotted novel that offers us a character possessed of the wisdom that arises only from a life well-lived.
To which I have nothing to add. I’m speechless. This could all be very bad for my ego and my super-ego and whatever other subconscious unconsciouses are floating around inside a person, but then again, maybe it’s just all good, today, right now. I’m going to go with that. Gratitude for right now.
P.S. To celebrate, I’m considering splurging on a celebratory ukulele! That way I can join my girls, who’ve both taken up the ukulele recently, and have been singing and playing together in the evening (there is literally nothing more heart-warming than hearing them sing and play together, and I do mean literally) … look out for a red-haired sisterly folk duo in about a decade or so ….
Say you’ve read Girl Runner. Say you’ve liked it. Or even, like this reviewer, say you’ve loved it. You think others should read it too. And you can’t wait to read the next book by this writer. Dear Reader, if this is you, please consider. There is much you can do to help. Small things. Practical things. Things that could make a huge difference in the life of this book.
Here are some ideas:
* Review and rate Girl Runner at the big online bookstores. You know the ones. (Visit here and here.) Positive reviews and ratings help move the book higher up in the rankings and bring it greater visability. (Negative reviews don’t help; if these exist, rate the review itself as unhelpful.)
* Ask for Girl Runner at your local bookstore. If they don’t have it, tell the owner/manager/book-loving-employee why they must.
* If Girl Runner is already at your local bookstore, hurray! Tell the owner/manager/book-loving-employee how happy you are to see the book, and how much you like/love it. Make sure the book’s cover is visible, facing forward on the shelf.
* Buy the book. Sounds obvious, and you already have, right? It may surprise you how often this practical step is overlooked.
* Tell your friends about the book. We choose books for lots of reasons, and a personal recommendation might just be the most compelling reason of all.
* If you have a book club, suggest Girl Runner for an upcoming pick. (Sometimes I even visit book clubs; visit my contact page for more info.)
* If you have a blog, write about Girl Runner. If you’re on Goodreads or Facebook or Twitter or Pinterest or Instagram or whatever the kids are using these days, post about Girl Runner. (And please tell me what the kids are using these days! I need to keep up with my teenager.) Tell people why they’d enjoy the book. “Like” my author page on Facebook.
Dear Reader, Virtually all of this holds true for any book you love. And virtually all writers are just like me: hoping their offering gets found and read. Spread the love, pass it on.
P.S. This post has been shamelessly plagiarized from this other post, which I wrote two and a half years ago, immediately after the publication of The Juliet Stories.
I feel like I should mark the moment somehow. Today, my third book and first novel, GIRL RUNNER, is officially published here in Canada. Dreaming of this day as a teenager in high school, plotting and hoping to become a real writer, what did I imagine it would be like? Feel like? I no longer know. There is excitement, but it is muted with a weight I probably wouldn’t have guessed, as a teenager. There is satisfaction, joy, even, but tempered by perspective, by years of struggle, by a kind of wondering at my own persistence and determination, and I don’t mean that in a self-flattering way — I mean, I wonder at my ridiculous, stubborn refusal to give up this singular dream, even when it made absolutely no sense, financially or practically or even artistically. I had to write a lot of very bad prose on my way to learning how to write like I wanted to be able to write.
I’m thinking this morning of writers I have admired. How I loved L.M. Montgomery’s stories of orphaned girls, soaked though they may have been in sentimental romance. I didn’t want to grow up to discover that Montgomery’s own life had been unhappy. I wanted her as happy as her heroines, as plucky, as daring, as beloved. There can be such a distance between what a writer puts onto the page and her own life. We may write what we wish to have been or done, we may write to seek forgiveness for a wrong or to seek peace, we may write to escape, because the imagination is powerful enough to carry us somewhere else, somewhere better, for awhile.
I’m not sure where I fit into this, exactly, as a writer and a human being.
I was thinking today that my ever-present theme is the connection between past and present, and how the past leaves its imprints on the present. I have an interest in history (thanks, Dad!). But it isn’t the interest of an historian, who tries to piece together from available evidence the most factually accurate narrative. It’s the interest of a story-teller, who needs facts only as stones tossed into a wide lake, so she can see the ripples spreading out across the disturbed surface of what only seems to be.
I’m going hifalutin’ this morning, I see.
I wonder how L.M. Montgomery felt when her first book was published? And her next, and her third? How did she feel when Anne of Green Gables became so beloved that the author herself was subsumed by her invented character? Isn’t it strange how these characters we create can come to seem more real than us? That is a possibility I’m considering this morning, as I think about Aganetha Smart, the girl runner in my book, and Juliet, of my JULIET STORIES, and the man with the hair hat, from my first collection HAIR HAT. I don’t know quite how to express this idea, but it seems those characters are more real, more knowable, more plausible than I myself could possibly be. I’m human, after all. I’ve done all kinds of things that make little sense, or don’t fit neatly into a plot or storyline. I’m contradictory. Sometimes I’m selfish, sometimes generous, sometimes oblivious, sometimes keenly attuned to the needs of others, sometimes a good friend, and no doubt, sometimes not. I’m trying, like we are all.
But my characters, they’re there, fully formed, on the page, comprehensible. Complete in a way I’ll never be.
Tonight, I’m going to the launch party for GIRL RUNNER here in Waterloo. It’s a party for the book, for the character of Aggie and all that she is, all of her accomplishments, and the richness of her life. I’m going to celebrate her existence. How she came to me, and came through me, is a mystery I’ll never know or be able to explain. This is not something I could have imagined, as an aspiring writer in high school — how separate from my creation I would feel. How grateful. How small. How glad.
Today’s post is an unusual one, for me. While this is a literary blog, of sorts, I write it as a writer going about her daily life, not as a reviewer or critic. This means I don’t review books on my blog, don’t take part in blog tours, nor do I accept review copies. Which makes today’s post an odd fit — I was asked to be part of a blog tour for Michelle Berry’s brand new novel, Interference, and I said yes.
I said yes because I really loved Michelle’s book. In fact, I blurbed for it. That’s my endorsement, or part of it, on the book cover above. Here’s what I wrote, in full: “Michelle Berry’s Interference is an immaculately constructed page-turner that is also, miraculously, a redemptive meditation on loneliness and community. Read it for the beautiful writing, the cast of unique characters, and for a certain tender brutality that infuses the telling — by turns moving, darkly funny, and ultimately warm and illuminating.”
So I said yes to Michelle’s blog tour … then wondered how to make this subject not feel shoehorned in to the larger purpose of the blog. And that’s when it came to me: soccer. (There’s no soccer in the book, I hasten to add; but my life contains up to 60% soccer some days, so it was a natural leap. Stay with me.)
Interference is a book with many threads pulled together around an unusual focal point: adult women, who don’t necessarily know each other very well, gathering weekly to compete in a team sport together — in this case recreational hockey. Until last summer’s concussion, this was me: an adult woman joining other women to compete in a team sport (see: soccer!). I miss playing soccer. This book made me miss it even more. So I decided to ask Michelle (whom I haven’t yet met in person) about her connection to sport. Here follows our somewhat abbreviated conversation, for the record.
〉 Me: What’s unique about the team experience that made you want to write about it? Were you part of sports teams when you were younger, or is it something you came to as an adult?
Michelle: Four years ago my friend signed me up for hockey. Our daughters had signed up together and, as my friend said, “If they can do it, we can too.” Neither of us had played before. I knew nothing. The hardest part was putting on the equipment. I really had to concentrate on the order in the first season — what goes on first. Several times I had my skates on before my pants and had to take them off again. But when I was finally bundled up in my equipment, when I had figured out my hockey skates, and when I went out onto the ice, it was life-altering. To be a woman covered in equipment (no jewelry, no makeup, no worry about clothing or hair — I was a giant, hulking body draped in ugly, smelly second-hand pads) was freeing. To be a woman in a competitive sport working together with other women as a team was freeing.
〉 Me: In my case, as an adult and a beginner, I came to a soccer team wanting to play soccer, without giving much consideration to the social aspects of being on a team — and quickly discovered that social dynamics play into how well a team works together. But it was also completely different from being part of a neighbourhood playgroup or book club, in terms of building relationships and friendships around a shared interest. I feel like your book captures the way that being on a team is a bonding experience that leaves a lot of room for privacy.
Michelle: Yes, being on a team works better than playdates and book clubs because it’s a group of people who probably have nothing else in common sharing one same goal. We are there to win (although my team never does and we don’t really care…. not really). And we aren’t there to form friendships and bonds and to make sure our kids play together nicely. We aren’t competing intellectually or emotionally. We are there to do a job. Play a sport. Although friendships and bonds do get formed in the change room, we tend to leave those friendships there. Book clubs, playgroups, those kinds of things, are more about trying to make connections intellectually and emotionally. Hockey is all physical — play well, even play not-well but try, and you belong.
〉 For more information about Michelle, or to purchase the book, click here to visit her publisher’s web site.
So, what do you think? Do you play a team sport, or did you once upon a time? Maybe someday, I keep telling myself. Maybe someday, I’ll play on a team again. Because as much as I love running and spinning and yoga and kettle bells, I’ve yet to find anything that replaces it.
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